new selected poems 1966 1987 seamus heaney

This novel won both the Pulitzer Prize and the National Book Award in 195. An allegorical story of World War I, set in the trenches in France and dealing ostensibly with a mutiny in a French regiment, it was originally considered a sharp departure for Faulkner. Recently it has come to be recognized as one of his major works and an essential part of the Faulkner oeuvre. Faulkner himself fought in the war, and his descriptions of it "rise to magnificence," according to The New York Times, and include, in Malcolm Cowley's words, "some of the most powerful scenes he ever conceived."

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New Selected Poems 1988-2013 provides an unrivalled account of a period of work that was crowned by the Nobel Prize for Literature in 1995. Together with its earlier, sibling volume, it completes the arc of a remarkable career. Shortly before his death in 2013, Seamus Heaney discussed with his publisher the prospect of a companion volume to his landmark New Selected Poems 1966-1987 aimed at presenting the second half of his career, 'from Seeing Things onwards', as he foresaw it.Although he was unable to complete a edition/selection, he left behind selections that have been followed here. New Selected Poems 1988-2013 reprints the author's chosen poems from his later years, beginning with his ground-breaking volume Seeing Things (1991), his two Whitbread Books of the Year, The Spirit Level (1996) and Beowulf (1999), and his multi-nominated, prize-winning volumes, Electric Light (2001), District and Circle (2006) and Human Chain (2010). The edition concludes with two posthumously published works.

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One hundred years after his birth, W. S. Graham''s words seem more awake than ever. His subtle exploration of the paradoxes of language, his passionate conviction of the importance of art and the love he expresses for the people and landscapes of his native Clydeside and adopted home of Cornwall attract more readers each year. In startlingly original poems, he celebrates family and friendship and probes the limits of our understanding of the world and our place in it. Graham''s New Collected Poems (2004) marked a crucial point in the growth of his reputation, bringing together for the first time all the poems of his seven collections as well as some of the unpublished material that had come to light since his death in 1986. Now, as we honour his centenary, this New Selected Poems presents his best and most characteristic: from his epic seafaring masterpiece ''The Nightfishing'' to the quirky metaphysics of ''Implements in their Places'', as well as a selection of his early neo-romantic poems, which Graham himself believed were essential to a full understanding of his oeuvre, and some remarkable uncollected work. There is no better way to make the acquaintance of one of the greatest British poets of the twentieth century.

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New Selected Poems is a book of singular abundance and formal verve, featuring poems of rare vision and dramatic power by a consummate and resilient artist. Demonstrating the wide range of Derek Mahon''s verse, from the early lyricism to a more expansive middle period (''New York Time'', ''Decadence'') and the flowering of his late style, it includes recent, uncollected work and culminates in the generous, far-reaching reverie ''Dreams of a Summer Night''.

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New selected poems by Ireland’s most acclaimed contemporary female poet.

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Seamus Heaney had the idea to form a personal selection from across the entire arc of his poetry, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this in his lifetime, and no edition exists which has such a broad range, drawing from first collection to last. But now, at last, the project has been returned to, resulting in an intimate gathering of poems chosen and introduced by the Heaney family. Coinciding with the National Library of Ireland launching a major exhibition dedicated to the life and work of Seamus Heaney, 100 Poems is a singular, accessible collection for new and younger readers that has the opportunity to reach far and wide, now and for years to come.

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Seamus Heaney had the idea to form a personal selection of poems from across the entire arc of his writing life, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this himself, and no other edition exists which has such a broad range, drawing from first to last of his prize-winning collections. But now, finally, the project has been returned to, resulting in an intimate gathering of poems chosen and introduced by the Heaney family. In 100 Poems, readers will enjoy the most loved and celebrated poems, as well as discovering new favourites. It is a singular and welcoming anthology, reaching out far and wide, now and for years to come.

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A vivid and original account of one of Ireland’s greatest poets by an acclaimed Irish historian and literary biographerThe most important Irish poet of the postwar era, Seamus Heaney rose to prominence as his native Northern Ireland descended into sectarian violence. A national figure at a time when nationality was deeply contested, Heaney also won international acclaim, culminating in the Nobel Prize for Literature in 1995. In On Seamus Heaney, leading Irish historian and literary critic R. F. Foster gives an incisive and eloquent account of the poet and his work against the background of a changing Ireland.Drawing on unpublished drafts and correspondence, Foster provides illuminating and personal interpretations of Heaney’s work. Though a deeply charismatic figure, Heaney refused to don the mantle of public spokesperson, and Foster identifies a deliberate evasiveness and creative ambiguity in his poetry. In this, and in Heaney’s evocation of a disappearing rural Ireland haunted by political violence, Foster finds parallels with the other towering figure of Irish poetry, W. B. Yeats. Foster also discusses Heaney’s cosmopolitanism, his support for dissident poets abroad, and his increasing focus in his later work on death and spiritual transcendence. Above all, Foster examines how Heaney created an extraordinary connection with an exceptionally wide readership, giving him an authority and power unique among contemporary writers.Combining a vivid account of Heaney’s life and a compelling reading of his entire oeuvre, On Seamus Heaney extends our understanding of the man as it enriches our appreciation of his poetry.

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Mary Oliver was awarded the National Book Award for New and Selected Poems, Volume One. Since its initial appearance it has become one of the best-selling volumes of poetry in the country. This collection features thirty poems published only in this volume as well as selections from the poet''s first eight books.Mary Oliver''s perceptive, brilliantly crafted poems about the natural landscape and the fundamental questions of life and death have won high praise from critics and readers alike. "Do you love this world?" she interrupts a poem about peonies to ask the reader. "Do you cherish your humble and silky life?" She makes us see the extraordinary in our everyday lives, how something as common as light can be "an invitation/to happiness,/and that happiness,/when it''s done right,/is a kind of holiness,/palpable and redemptive." She illuminates how a near miss with an alligator can be the catalyst for seeing the world "as if for the second time/the way it really is." Oliver''s passionate demonstrations of delight are powerful reminders of the bond between every individual, all living things, and the natural world.

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New And Selected Poems brings together a quarter of a century of exceptional writing.Julian Stannard started his career as a writer in the Italian port city of Genoa. He has written at length about Liguria and Italy in general. His work has been translated into Italian and he finds his place in a rich Anglo-Ligurian tradition. This gathering of poems from many collections infuses his love of Italy with a clear-eyed view of modern Britain.These are poems which can wrong foot and amaze. His satirical appetite draws on Rabelais, Gogol, Swift, and Lear. Stannard ultimately creates an unmistakable voice – the commonplace is made strange and yet even stranger still.2010 Winner of the International Troubadour Prize 2024 – Awarded the Lerici Shelley Prize

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‘A huge book, an immense book. Such adventure and variety, such industry, such subjugation of self.’ Michael Hofmann, TLSHeaney not only translated classic works of Latin and Old English but also poems from a great number of ancient and modern European languages, not least translations from the Old, Middle and Modern Irish of his homeland. The breadth and depth in evidence here is extraordinary — from monastic hymns and prayers, to the civic and familial tragedies of Sophocles and Kochanowski; from Virgil and Dante’s living underworld to the stark landscapes of Sweeney’s Ireland. As editor, Marco Songzogni frames the translations with the poet’s own writings on his works. Collectively these bring us closer to an understanding of the genius for interpretation and transformation that distinguished Heaney as one of the great poet-translators of all time.‘The Translations . . . is a landmark volume, a striking testament to the particular and generous genius of Seamus Heaney. . . The crucial part played by translation in the formation and development of his extraordinary talent is under the spotlight as readers are further gifted with Marco Sonzogni’s meticulously detailed notes. . ..’ Martina Evans, Irish Times‘…this volume is handsome testimony to Heaney’s lifelong service to a noble art.’ David Wheatley, Guardian‘This magnificent book. . . is without a doubt a compendium to be cherished, and to be celebrated.’ Paul Perry, Sunday Independent

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In a momentous publication, Seamus Heaney''s translation of Book VI of the Aeneid, Virgil''s epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O''Driscoll, Heaney acknowledged the importance of the poem to his writing, noting that ''there''s one Virgilian journey that has indeed been a constant presence, and that is Aeneas''s venture into the underworld. The motifs in Book VI have been in my head for years - the golden bough, Charon''s barge, the quest to meet the shade of the father.''In this translation, Heaney employs the same deft handling of the original combined with the immediacy of language and flawless poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of Bernard O''Donoghue, brought the ancient poem back to life in ''a miraculous mix of the poem''s original spirit and Heaney''s voice''.

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Showcasing the creative power of one of the most outstanding English Metaphysical Poets, the Penguin Classics edition of John Donne''s Selected Poems includes an introduction and notes by Ilona Bell.Regarded by many as the greatest of the Metaphysical poets, John Donne was also among the most intriguing figures of the Renaissance. A sensualist who composed erotic and playful love poetry in his youth, he was raised a Catholic but later became one of the most admired Protestant preachers of his time. The Selected Poems reflects this wide diversity, and includes his youthful Songs and Sonnets, epigrams, elegies, letters, satires, and the profoundly moving Divine Poems composed towards the end of his life. From joyful poems such as ''The Flea'', which transforms the image of a louse into something marvellous, to the intimate and intense Holy Sonnets, Donne breathed new vigour into poetry by drawing lucid and often startling metaphors from the world in which he lived. His poems remain among the most passionate, profound and spiritual in the English language.Ilona Bell''s introduction considers Donne''s life, faith and influence. This edition also includes detailed notes and a further reading list.John Donne (1572-1631) was born into a family of devout Catholics. He studied at Oxford University, travelled on the continent, and then studied law at Lincoln''s Inn. In the early 1600s Donne became a Member of Parliament and Justice of the Peace, obtaining temporary positions and patronage from a number of aristocrats who are the subjects of his poems. He was ordained as an Anglican minister in 1615, and in 1621 was made Dean of St. Paul''s Cathedral, a position he held until his death.If you enjoyed Donne''s Selected Poems, you might enjoy John Milton''s Paradise Lost, also available in Penguin Classics.

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Seamus Heaney''s new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present - the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, as lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems which stand at the crossroads of oral and written, and other ''hermit songs'' which weigh equally in their balance the craft of scribe and the poet''s early calling as scholar. A remarkable sequence entitled ''Route 110'' plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s adolescence to the birth of the poet''s first grandchild. Other poems display a Virgilian pietas for the dead - friends, neighbours and family - which is yet wholly and movingly vernacular. Human Chain is Seamus Heaney''s twelfth collection of poems.

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This volume is a much-needed new selection of Seamus Heaney''s work, taking account of recent volumes and of the author''s work as a translator, and offering a more generous choice from previous volumes. Opened Ground: Poems 1966-1996 comes as close to being a ''Collected Poems'' as its author cares to make it. It replaces his New Selected Poems 1966-1987, giving a fuller selection from each of the volumes represented there and adding large parts of those that have appeared since, together with examples of his work as a translator from the Greek, Latin, Italian and other languages. The book concludes with ''Crediting Poetry'', the speech with which Seamus Heaney accepted the 1995 Nobel Prize in Literature, awarded to him, in the words of the Swedish Academy of Letters, for his ''works of lyrical beauty and ethical depth''.

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‘A marvellous book, lovingly edited, beautifully produced. . . and brimming with literary insights, much laughter, a sprinkle of gossip and the poet’s insuppressible joie de vivre, even in adversity. Buy it, read it, and keep it to hand on to your children.’ John Banville, Guardian‘An epistolary cornucopia. . . contains an abundance of insight and illumination, literary gossip and appraisal, playfulness and cogency, all bound up with a steadfast attention to the feelings and expectations of each correspondent.’ Patricia Craig, TLS Books of the YearEvery now and again I need to get down here, to get into the Diogenes tub, as it were, or the Colmcille beehive hut, or the Mossbawn scullery. At any rate, a hedge surrounds me, the blackbird calls, the soul settles for an hour or two . . .For all his public eminence, Seamus Heaney seems never to have lost the compelling need to write personal letters. In this ample but discriminating selection from fifty years of his correspondence, we are given access as never before to the life and poetic development of a literary titan – from his early days in Belfast, through his controversial decision to settle in the Republic, to the gradual broadening of horizons that culminated in the award of a Nobel Prize and the years of international acclaim that kept him heroically busy until his death.Editor Christopher Reid draws from both public and private archives to reveal this story in the poet’s own words. Generous, funny, exuberant, confiding, irreverent, empathetic and deeply thoughtful, the letters encompass decades-long relationships with friends and colleagues, as well as showing an unstinted responsiveness to passing acquaintances. Moreover, Heaney’s joyous mastery of language is as evident here as it is in any of his writing for a literary readership.Listening to Heaney’s voice, we find ourselves in the same room as a man whose presence, when he lived, enriched the world immeasurably, and whose legacy continues to deepen our sense of what truly matters.

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Seamus Heaney''s new collection starts ''in an age of bare hands and cast iron'' and ends ''as the automatic lock / clunks shut'' in the eerie new conditions of a menaced twenty-first century. In their haunted, almost visionary clarity, the poems assay the weight and worth of what has been held in the hand and in the memory. Images out of a childhood spent safe from the horrors of World War II - railway sleepers, a sledgehammer, the ''heavyweight silence'' of cattle out in rain - are coloured by a strongly contemporary sense that ''anything can happen'', and other images from the dangerous present - a journey on the underground, a melting glacier - are fraught with this same anxiety.But District and Circle, which includes a number of prose poems and translations, offers resistance as the poet gathers his staying powers and stands his ground in the hiding places of love and excited language. In a sequence like ''The Tollund Man in Springtime'' and in several poems which ''do the rounds of the district'' - its known roads and rivers and trees, its familiar and unfamiliar ghosts - the gravity of memorial is transformed into the grace of recollection. With more relish and conviction than ever, Seamus Heaney maintains his trust in the obduracy of workaday realities and the mystery of everyday renewals:Again the growl / Of shutting doors, the jolt and one-off treble / Of iron on iron, then a long centrifugal / Haulage of speed through every dragging socket.(from ''District and Circle'')

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Although Emily Dickinson wrote nearly 2,000 poems, only a handful were ever published in her lifetime, and those anonymously. Today, she is recognized as one of the most important American poets of the nineteenth century, one whose unconventional use of language and rhyme anticipated the break with tradition of much modern poetry written after it. The Selected Poems of Emily Dickinson collects more than 150 of Dickinson's brief but memorable poems. Bursting with insights about life, love, nature, death, and immortality, these poems are among the best loved and most reprinted in English literature. The Selected Poems of Emily Dickinson is one of Barnes & Noble's Collectible Editions classics. Each volume features authoritative texts by the world's greatest authors in an elegantly designed bonded-leather binding, with distinctive gilt edging.

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Composed towards the end of the first millennium, the Anglo-Saxon poem Beowulf is one of the great Northern epics and a classic of European literature. In his new translation, Seamus Heaney has produced a work which is both true, line by line, to the original poem, and an expression, in its language and music, of something fundamental to his own creative gift.The poem is about encountering the monstrous, defeating it, and then having to live on, physically and psychically exposed, in that exhausted aftermath. It is not hard to draw parallels between this story and the history of the twentieth century, nor can Heaney''s Beowulf fail to be read partly in the light of his Northern Irish upbringing. But it also transcends such considerations, telling us psychological and spiritual truths that are permanent and liberating.

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The poems in Seamus Heaney''s collection The Spirit Level keep discovering the possibilities of ''a new beginning'' in all kinds of subjects and circumstances. What is at stake, in poem after poem, is the chance of buoyancy and balance, physical, spiritual and political. Private memories, classical scenes, humble domestic objects - a whitewash brush, a sofa, a swing - are endowed with talismanic significance, while friends and relatives are invoked for their promise and steadfastness. Throughout the collection, Heaney addresses his concerns, which inevitably include the political situation in his native Northern Ireland, in a poetry that never ceases to be fluid, alert and completely truthful.

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These lectures were delivered by Seamus Heaney while he was Professor of Poetry at Oxford University. In the first of them, Heaney discusses and celebrates poetry''s special ability to redress spiritual balance and to function as a counterweight to hostile and oppressive forces in the world. He proceeds to explore how this ''redress'' manifests itself in a diverse range of poems and poets, including Christopher Marlowe''s ''Hero and Leander'', ''The Midnight Court'' by the eighteenth-century Irish poet Brian Merriman, John Clare''s vernacular writing and Oscar Wilde''s ''The Ballad of Reading Gaol''. Several twentieth-century poets are also discussed - W. B. Yeats, Dylan Thomas, Elizabeth Bishop and others - and the whole book constitutes a vivid proof of the claim that ''poetry is strong enough to help''.

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Seamus Heaney's version of Sophocles's Philoctetes tells of the wounded hero marooned upon an island by the Greeks during the Siege of Troy. As the conflict comes to a climax, the Greeks begin to realise they cannot win the Trojan war without Philoctetes's invincible bow, and turn back to seek his help. The Cure at Troy dramatises the conflict between personal integrity and political expediency, and explores ways in which the victims of injustice can become as devoted to the contemplation of their wounds as the perpetrators are to the justification of their system.Responsive to the Greek playwright's understanding of the relations between public and private morality, The Cure at Troy is a sharp, fast-paced retelling of the Greek original, shot through with Heaney's own Irish speech and context. History says, Don't hope On this side of the grave. But then, once in a lifetime the longed-for tidal wave of justice can rise up, and hope and history rhyme.

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A marvellous book, lovingly edited, beautifully produced. . . and brimming with literary insights, much laughter, a sprinkle of gossip and the poet’s insuppressible joie de vivre, even in adversity. Buy it, read it, and keep it to hand on to your children.’ John Banville, GuardianEvery now and again I need to get down here, to get into the Diogenes tub, as it were, or the Colmcille beehive hut, or the Mossbawn scullery. At any rate, a hedge surrounds me, the blackbird calls, the soul settles for an hour or two . . .In this wonderful selection, spanning fifty years of Seamus Heaney’s correspondence, we are given access as never before to the life and poetic development of a literary titan – from his early days in Belfast, through his controversial decision to settle in the Republic, to the gradual broadening of horizons that culminated in the award of a Nobel Prize and the years of international acclaim that kept him heroically busy until his death.Editor Christopher Reid draws from both public and private archives to reveal this story in the poet’s own words. Listening to his voice, we find ourselves in the same room as a man whose presence enriched the world immeasurably, and whose legacy continues to deepen our sense of what truly matters.‘An epistolary cornucopia. . . contains an abundance of insight and illumination, literary gossip and appraisal, playfulness and cogency, all bound up with a steadfast attention to the feelings and expectations of each correspondent.’ Patricia Craig, TImes Literary Supplement, Books of the Year‘. . . communicates marvellously the encompassing personality and intelligence of this fine poet.’ Seamus Perry, Times Literary Supplement, Books of the Year‘. . . a comprehensive collection of letters which reveal a great poet at work, but also charts in engrossing detail the times he lived in.’ Paul Perry, Irish Independent

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This comprehensive edition draws on Andrew Motion’s distinguished body of work from Secret Narratives (1983) to his most recent volume, Randomly Moving Particles (2020), and includes a substantial selection of new and previously uncollected poems.Certain preoccupations unite the book, which from first to last is particularly concerned with the ways in which our lives are shaped by loss – by wars, by accidents, by the erosion of time and by grief. Motion is an energetic and protean spirit, a listener and a watcher, and while his poems mostly develop his themes by using intimate and lyric forms, they also sometimes adapt from direct speech and documentary sources. In every case, and especially movingly in the long poem ‘Essex Clay’, Motion uses acts of personal witness to reflect the vulnerabilities of the world at large.These are extraordinary poems of and for our times, enlarging our sense of the cost of human experience even as they refine those sensibilities that keep us most alive and engaged with the present. ‘Andrew Motion is one of the essential English poets of our time.’ John Burnside‘Motion’s greatest and most distinctive gift . . . is to look squarely at the world and describe it with a plain and unsentimental eloquence that makes worldly value seem all the more questionable.’ Bernard O’Donoghue, Independent on Sunday

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An extraordinary career-spanning collection from one of the most revered poets and storytellers of our ageTracing the legacy of Margaret Atwood – a writer who has fundamentally shaped our contemporary literary landscapes – Paper Boat assembles Atwood’s most vital poems in one essential volume. In pieces that are at once brilliant, beautiful and hyper-imagined, Atwood gives voices to remarkably drawn characters – mythological figures, animals and everyday people – all of whom have something to say about what it means to live in a world as strange as our own. ‘How can one live with such a heart?’ Atwood asks, casting her singular spell upon the reader, and ferrying us through life, death and whatever comes next.Walking the tightrope between reality and fantasy as only she can, Atwood’s journey through poetry illuminates our most innate joys and sorrows, desires and fears. Spanning six decades of work – from her earliest beginnings to brand new poems – this volume charts the evolution of one of our most iconic and necessary authors.

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W.B. Yeats's Selected Poems is edited with an introduction and notes by Timothy Webb in Penguin Modern Classics.Few have lived their ideas so passionately and nobly as W.B. Yeats in his love affairs, politics and poetry. From his youth in the 1880s, a fertile dreamer rediscovering and remaking the Irish tradition, he grew into a great and innovative poet of the twentieth century. This selection of Yeats's work includes the final book from the unjustly neglected narrative poem The Wanderings of Oisin and a number of lyrics from Yeats's work as poetic dramatist. This edition breaks new ground by allowing the reader to engage with a dozen poems in alternative versions; in many other cases it provides significant variants, so that Yeats's struggle to revise his poetry can be experienced with unusual immediacy. It also includes explanatory and textual notes for each poem.W B Yeats (1865-1939) was one of the great and innovative poets of the twentieth century. Much of his most vigorous verse on love, sex, Irish and international politics, the complexities of the occult and the 'sedentary toil' of poetry was produced in the years between his fiftieth birthday in 1915 and his death in 1939.If you enjoyed Selected Poems, you might like The Penguin Book of First World War Poetry, also available in Penguin Classics.'A compelling poetic presence ... together with Joyce, Yeats made modern Irish poetry possible'Timothy Webb.

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This edition of Seamus Heaney’s seminal fourth collection North, reproduced in its elegant first setting and in its original jacket, marks fifty years since first publication in 1975.By conjuring aspects of a shared Northern European experience – its peculiar landscapes and weathers, its sea-faring incursions, the vernaculars of its buried and living peoples – Heaney found a way of articulating a vision of Ireland in which the disruptions and violences of the Troubles could be reflected too.‘. . . it’s the brilliant reconciliation of art with politics that sets North apart from the rest of Heaney’s oeuvre and gives it a kind of dark majesty.’ Robert McCrum, Guardian‘The seedtime of the soul and the dissolution of the flesh melt equally into history, exhumed only temporarily in Heaney’s penetrating vision, where gravity and preservation unite.’ Helen Vendler, New York Times

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Kathleen Jamie’s Selected Poems gathers together some of the finest work by one of the foremost poets currently writing in English. Although Jamie is perhaps best known for her writing on nature, landscape, and place, Selected Poems shows the full and remarkably diverse range of her work – and why many regard her work as crucially relevant to our troubled age. No poet currently writing has a keener eye or ear; no poet has paid more careful attention to the other consciousnesses with whom we share the planet – and no poet has Jamie’s almost miraculous ability to show us just how the world might look when the human eye ceases to gaze on it. This exceptional collection of poetry, spanning several decades, allows readers to chart the development of one of our most important contemporary talents, and serves as perfect introduction to her work.

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For the fortieth anniversary of its publication, in May 2006, Faber are reissuing Seamus Heaney''s classic first collection, Death of a Naturalist, which on its appearance in 1966 won the Cholmondeley Award, the E.C. Gregory Award, the Somerset Maugham Award and the Geoffrey Faber Memorial Prize.''His words give us the soil-reek of Ireland, the colourful violence of his childhood on a farm in Derry. The full-blooded energy of these poems makes Death of a Naturalist the best first book of poems I''ve read for some time.'' - C.B. Cox in the Spectator ''The power and precision of his best poems are a delight, and as a first collection Death of a Naturalist is outstanding [...] His subject is those things which are inherent or inherited. What he praises is to be praised in his own work.'' - Christopher Ricks, New Statesman''Now, to pry into roots, to finger slime, To stare big-eyed Narcissus, into some springIs beneath all adult dignity. I rhymeTo see myself, to set the darkness echoing.''

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Commissioned to mark the centenary of the Abbey Theatre in Dublin in 2004, The Burial at Thebes is Seamus Heaney's new verse translation of Sophocles' great tragedy, Antigone - whose eponymous heroine is one of the most sharply individualized and compelling figures in Western drama. Faithful to the play's time and place, The Burial at Thebes represents opposing voices as they enact the ancient conflict between family and state in a time of crisis, pitching the morality of private allegiance against that of public service. Above all, The Burial at Thebes honours the sovereign urgency and grandeur of the Antigone, in which language speaks truth to power, then and now.

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In North Seamus Heaney found a myth which allowed him to articulate a vision of Ireland - its people, history and landscape. Here the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.

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''Seamus Heaney has gone beyond the themes of his earlier poetry and has made the giant step towards the most ambitious, most intractable themes of maturity. The power of this book comes from a sense that he is reaching out towards a type of desolation and of isolation without which no imagination can be seen to have grown up.'' Eavan Boland, Irish Times''Keyed and pitched unlike any other significant poet at work in the language anywhere.'' Harold Bloom, Times Literary Supplement

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This collection of Seamus Heaney's work, especially in the series of 12-line poems entitled "Squarings", shows he is ready to re-imagine experience and "to credit marvels". The title poem is typical in that it begins with memories of an actual event, then moves towards the visionary.

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Originally published in 1969, Seamus Heaney''s Door into the Dark continues a furrow so startlingly opened in his first collection, Death of a Naturalist (1966). With the sensuousness and physicality of language that would become the hallmark of his early writing, these poems graphically depict the author''s rural upbringing, from the local forge to the banks of Lough Neagh, concluding in the preserving waters of the bogland and a look ahead to his next book, Wintering Out (1972).

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Finders Keepers is a gathering of Seamus Heaney''s prose of three decades. Whether autobiographical, topical or specifically literary, these essays and lectures circle the central preoccupying questions: How should a poet properly live and write? What is his relationship to be to his own voice, his own place, his literary heritage and the contemporary world?As well as being a selection from the poet''s three previous collections of prose (Preoccupations, The Government of the Tongue and The Redress of Poetry), the present volume includes material from ''The Place of Writing'', a series of lectures delivered at Emory University in 1988. Also included are a rich variety of pieces not previously collected in volume form, ranging from short newspaper articles to more extended lectures and contributions to books. In its soundings of a wide range of poets - Irish and British, American and East European, predecessors and contemporaries - Finders Keepers is, as its title indicates, ''an announcement of both excitement and possession''.

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Sweeney Astray is Seamus Heaney''s version of the medieval Irish work Buile Suibhne - the first complete translation since 1913. Its hero, Mad Sweeney, undergoes a series of purgatorial adventures after he is cursed by a saint and turned into a bird at the Battle of Moira. The poetry spoken by the mad king, exiled to the trees and the slopes, is among the richest and most immediately appealing in the whole canon of Gaelic literature.Sweeney Astray not only restores to us a work of historical and literary importance but offers the genius of one of our greatest living poets to reinforce its claims on the reader of contemporary literature.

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A pioneer of the Romantic movement, William Wordsworth wrote about the natural world and human emotion with a clarity of language which revolutionized poetry. Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.This edition has an introduction by Peter Harness. Selected Poems brings together some of Wordsworth's most acclaimed and influential works, including an extract from his magnus opus, The Prelude, alongside shorter poems such as 'I Wandered Lonely as a Cloud', 'To a Skylark' and 'Tintern Abbey'. Wordsworth's poems, often written at his home in Grasmere in the beautiful English Lake District, are lyrical evocations of nature and of spirituality.They have a force and clarity of language akin to everyday speech which was truly groundbreaking.

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Since his debut, Nil Nil, won the Forward Prize for Best First Collection in 1993, Don Paterson has lit up the poetry scene in the U.K. His dazzling, intensely lyric and luminous verse has delighted readers ever since, and won many awards along the way. God''s Gift Women took the T. S. Eliot Prize in 1997, Landing Light won it again in 2003 and the Whitbread Award besides, and Rain (2009), his most recent collection, won the Queen''s Gold Medal for Poetry. This selection, drawn from twenty years of work, is made by the author himself and includes not only those poems from his four single volumes, but his thrilling and original adaptations of the poems of Antonio Machado and Rainer Maria Rilke. For any readers unfamiliar with Don Paterson''s work, this Selected Poems offers the perfect introduction to this most captivating of writers; and for fans, an essential gathering from a master craftsman.

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Selected Poems brings together some two hundred poems - the largest collection of Borges' poetry ever assembled in English, including many never previously translated. The brilliance of the Spanish originals is matched with luminous English versions rendered by a remarkable cast of translators, among them W.S. Merwin, John Updike, Robert Fitzgerald, Mark Strand and Alastair Reid.

Objev podobné jako Selected Poems - Jorge Luis Borges

''Nowhere, beloved, can world be but within us''Rainer Maria Rilke (1875-1926) is one of the leading poets of European Modernism, and one of the greatest twentieth-century lyric poets in German. From The Book of Hours in 1905 to the Sonnets of Orpheus written in 1922, his poetry explores themes of death, love, and loss. He strives constantly to interrogate the relationship between his art and the world around him, moving from the neo-romantic and the mystic towards the precise craft of expressing the everyday in poetry.This bilingual edition fully reflects Rilke''s poetic development. It contains the full text of the Duino Elegies and the Sonnets to Orpheus, selected poems from The Book of Images, New Poems, and earlier volumes, and from the uncollected poetry 1906-26. The translations are accurate, sensitive, and nuanced, and are accompanied by an introduction and notes that elucidate Rilke''s poetic practice and his central role in modern poetry. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Objev podobné jako Selected Poems - Reiner Maria Rilke

An essential selection from the range and bulk of Robert Graves''s poetry, edited by Ulster poet Michael Longley. This edition restores Graves to view as a major twentieth century poet, and demonstrates his manifold achievement as war poet, as love poet, and as - in the round - a secular visionary whose poems are ''inimitable, eccentric marvels - some of which are extraordinary, many are masterly, all are like nothing else ever written'' (Randall Jarrell).This edition of Robert Graves''s poems is scrupulously selected from across the full range of his lifetime''s verse. It opens with an illuminating introduction in which Longley makes a persuasive case for the importance of this remarkable poet.

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Thom Gunn has been described as ‘one of the most singular and compelling poets in English during the past half-century’ (TLS). This Selected Poems, compiled by his friend Clive Wilmer and accompanied by insightful notes, is the first edition to represent the full arc of Gunn’s inimitable career. ‘The poetry of Thom Gunn was much admired in his lifetime, and at the same time often misunderstood and underestimated. The scale of his achievement, and its uniqueness – a masterful Elizabethan lyric poet writing in the second half of the twentieth century – is just now becoming properly appreciated. Anonymous in voice, even in the service of the most intimate subject matter, acute in observation, particularly the urban experience, with San Francisco the principal site, Gunn is not merely the poet of the druggy ’60s in California or the plague of the AIDS epidemic, but of the deeper-running themes, shared by Shakespeare, Baudelaire, William Carlos Williams and all his greatest exemplars, of the artist’s moral and imaginative engagement with the world as it actually is, in the broadest possible sense, not as contemporary fashion might have it be. Which strikes me, who knew and loved the man and poet, as a kind of heroism.’ August Kleinzahler‘Thom Gunn smuggled the lyric tradition out of post-war Britain, and gave it cool, gracious renaissance in California. His poetry evokes the wild life of the body with madrigal-like elegance.’ Fiona Sampson‘Gunn’s work illustrates with unusual clarity some of the debates poetry in English has pursued in [the twentieth] century – form versus improvisation, diction versus talk, the American way versus the English tradition, even, at times, authenticity versus art. To contain these contradictory impulses and . . . to have generated a body of work which anybody wanting to understand the period and identify some of its best poems will find essential reading – this is quite an achievement.’ Sean O’Brien

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Poems of the Sea is an anthology of classic poetry that celebrates the sea; from the power of a stormy ocean to ships and sailors and beaches strewn with shells. Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition features an introduction by author Adam Nicolson.For generations, poets have taken inspiration from ocean mists and rugged coastlines to conjure up adventures on the high seas and joyous days at the seaside. From Emily Dickinson’s morning dog walks by the shore, to the river running through Sara Teasdale’s sunny valley, and from Walt Whitman’s fish-filled forests, to the silent ships passing in Paul Laurence Dunbar’s dark ocean, there are poems here for every reader to enjoy.

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Edited and Translated by Alexandra Büchler. A book of poems by Katerina Rudcenková selected from her four poetry books by the editor/translator Alexandra Büchler who will also write an introduction.

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At the centre of this collection, which includes groups of elegies and love poems, there is a short sonnet sequence which concentrates themes apparent elsewhere in the book: the individual's responsibility for his own choices, the artist's commitment to his vocation, the vulnerability of all in the face of circumstance and death.'Throughout the volume Heaney's outstanding gifts, his eye, his ear, his understanding of the poetic language are on display - this is a book we cannot do without.' Martin Dodsworth, Guardian

Objev podobné jako Field Work - Seamus Heaney

Get exam-ready with the SnapRevise Selected Poems (Emily Dickinson) Text Guide! Featuring detailed poem analysis, key themes, a comprehensive quote bank, vocabulary highlights, and sample essays with commentary, this guide gives you the tools to understand Dickinson's poetry and write confident, top-scoring essays.

Objev podobné jako SnapRevise Selected Poems by Emily Dickinson Text Guide for English Literature

The selected poems and prose writings of Edward Thomas, with a Foreword from Robert Macfarlane, author of The Old Ways''I have come to the borders of sleep, The unfathomable deepForest where all must loseTheir way, however straight,Or winding, soon or late;They cannot choose.''Fired by his abiding love of the English landscape, the poetry of Edward Thomas is some of the most astonishing of the twentieth century. A journalist, essayist and critic for many years, he was encouraged to write verse by his friend Robert Frost. He produced a late outburst of poetry of extraordinary beauty and mystery about the subjects closest to his heart: rural England and its inhabitants, landscape, atmosphere, transience, endurance and death. By 1917, when he was killed on the Western Front, he had earned his place as one of England''s most valued poets. This selection brings together his finest verse with his most vivid prose writings on the countryside.''The father of us all'' Ted Hughes Edited by David Wright With a Foreword by Robert Macfarlane, taken from The Old Ways

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A collection of new and selected poems about life, love, and growing older.

Objev podobné jako Goddamned Selected Poems - Stanley Moss

From early, rhyming works in Love Poems and Others (1913) to the ground-breaking exploration of free verse in Birds, Beasts and Flowers (1923) the poems of D. H. Lawrence challenged convention and inspired later poets.This volume includes extensive selections from these and other editions, and contains some his most famous poems, such as ''Piano'', a nostalgic reflection on lost youth and love for his mother; ''Snake'', exploring human fear of the natural world; the short, cutting comment on sexual politics of ''Can''t Be Borne''; and the quiet philosophical resignation of ''Basta!''. Using the revised poems, but in the order in which they appeared in their original collections, this selection offers a fresh perspective that reveals an innovative poet who gave voice to his most intense emotions.

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Clive Branson (1907-1944) was born in Ahmednagar, India, the son of a major in the Indian army. He studied at the Slade School of Art and exhibited at the Royal Academy when he was just 23. Five of his paintings are today in the Tate. His daughter is the painter Rosa Branson.The Selected Poems of Clive Branson brings together, for the first time, the best of his surviving poetry. Passionate and committed, it’s a first-hand account of the most violent years of the twentieth-century – Britain in the Slump, Spain during the civil-war, Fascist prisons, the London Blitz, the cultural shock of India and its poverty, the war against Japan – recorded with a painterly eye and a communist faith in the power of the people.

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