memory theatre simon critchley

Memory Theatre - Simon Critchley

A French philosopher dies during a savage summer heat wave. Boxes carrying his unpublished miscellany mysteriously appear in Simon Critchley’s office. Rooting through piles of papers, Critchley discovers a brilliant text on the ancient art of memory and a cache of astrological charts predicting the deaths of various philosophers. Among them is a chart for Critchley himself, laying out in great detail the course of his life and eventual demise. Becoming obsessed with the details of his fate, Critchley receives the missing, final box, which contains a maquette of Giulio Camillo’s sixteenth-century Venetian memory theatre, a space supposed to contain the sum of all knowledge. That’s when the hallucinations begin...

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Tragedy, the Greeks and Us - Simon Critchley

We might think we are through with the past, but the past isn''t through with us. Tragedy permits us to come face to face with the things we don''t want to know about ourselves, but which still make us who we are. It articulates the conflicts and contradictions that we need to address in order to better understand the world we live in.A work honed from a decade''s teaching at the New School, where ''Critchley on Tragedy'' is one of the most popular courses, Tragedy, the Greeks and Us is a compelling examination of the history of tragedy. Simon Critchley demolishes our common misconceptions about the poets, dramatists and philosophers of Ancient Greece - then presents these writers to us in an unfamiliar and original light.

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What We Think About When We Think About Football - Simon Critchley

What do we think about when we think about football? Football is about so many things: memory, history, place, social class, gender (especially masculinity, but increasingly femininity too), family identity, tribal identity, national identity, the nature of groups. It is essentially collaborative, even socialist, yet it exists in a sump of greed, corruption, capitalism and autocracy.Philosopher Simon Critchley attempts to make sense of it all, and to establish a system of aesthetics - even poetics - to show what is beautiful in the beautiful game. He explores, too, how the experience of watching football opens a particular dimension in time; how its magic wards off oblivion; how its dramas play out national identity and non-identity; how we spectators, watching football with tragic pensiveness, participate in the play. And of course, as a football fan, he writes about his heroes and villains: about Zidane and Cruyff, Clough and Revie, Shankly and Klopp.

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On Mysticism - Simon Critchley

''A significant and courageous invitation to think again about the kinds of thinking that matter; the kinds of thinking that keep us awake'' Rowan WilliamsMysticism has been called ''experience at its most intense form'', and here philosopher Simon Critchley asks: wouldn''t you like to taste this intensity? Wouldn''t you like to be lifted up and out of yourself?Mysticism is not a question of religious belief but of felt experience and daily practice. It is a way of freeing yourself of your standard habits, fancies and imagining so as to see what is there and stand with what is there ecstatically. It is the achievement of a fluid openness between thought and existence.This is a book about Julian of Norwich and medieval mystics that also ranges through the work of Anne Carson, Annie Dillard and T.S. Eliot. It looks at Nick Cave and German krautrock and shows how music can be secular worship. It opens the door to mysticism not as something unworldly and unimaginable, but as a way of life.

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On Humour - Simon Critchley

Does humour make us human, or do the cats and dogs laugh along with us? On Humour is a fascinating, beautifully written and funny book on what humour can tell us about being human. Simon Critchley skilfully probes some of the most perennial but least understood aspects of humour, such as our tendency to laugh at animals and our bodies, why we mock death with comedy and why we think it''s funny when people act like machines. He also looks at the darker side of humour, as rife in sexism and racism and argues that it is important for reminding us of people we would rather not be.

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ECG VT 4420 3in1 Simon tyčový bezsáčkový vysavač

Tyčový vysavač ECG VT 4420 3in1 Simon kombinuje funkce tyčového vysavače, ručního vysavače a mopu s vodní nádržkou. Je poháněn výkonnou Li-Ion baterií s dobou úklidu až 60 minut a využívá cyklónovou filtraci s omyvatelným filtrem. Součástí balení je motorizovaný kartáč, příslušenství pro všechny funkce a praktické prvky jako LED osvětlení.

  • 3v1 funkce: tyčový vysavač, ruční vysavač a funkce mopu s odnímatelnou vodní nádržkou
  • Dlouhá výdrž díky Li-Ion baterii s dobou úklidu až 60 minut na jedno nabití
  • Efektivní cyklónová filtrace s omyvatelným filtrem a bezsáčkovým systémem
  • Praktické vybavení včetně motorizovaného kartáče, LED osvětlení a sklopného držadla

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Karlie Simon's Cat Škrabadlo pro kočky, 40 x 40 x 60 cm

Škrabadlo Simon's Cat o rozměrech 40 x 40 x 60 cm poskytuje kočkám povrch pro škrabání a ostření drápků. Pevná základna je potažena měkkým plyšem a sloupek je vyroben ze sisalu. Součástí je visící míček na pružném provázku pro zábavu.

  • Robustní konstrukce s pevnou základnou pro stabilitu
  • Měkký plyš na základně a sisalový sloupek pro škrabání
  • Zábavný visící míček na pružném provázku pro hru

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Best British Short Stories 2025 - Roger Luckhurst, Rose Biggin, Catrin Kean, Pippa Goldschmidt, Mr Christopher Burns, Linden Hibbert, Ian Critchley, H

The definitive showcase of the year’s finest British short stories‘Bravo to Salt’s beacon of delight and intrigue – its annual collection of the UK’s best short stories, from established and emerging voices.’ —Duncan MinshullNow relaunched for a new era, Best British Short Stories returns with a bold new look and a renewed commitment to celebrating the art of the short story. As we enter our fifteenth volume, this much-loved annual collection continues to be the go-to anthology for readers seeking the most exciting and diverse voices in contemporary British fiction.Assembled by series editor Nicholas Royle, Best British Short Stories 2025 presents a stellar selection of stories first published in 2024, drawn from magazines, journals, anthologies, collections, chapbooks, and online. Whether you’re a devoted follower or discovering the series for the first time, this new edition reaffirms our mission to champion storytelling in all its forms.‘If the latest iteration of Salt’s Best British Short Stories collection is anything to go by then the genre remains in safe hands.’ —Lawrence Foley, TLSFeaturing stories by: David Bevan, Rose Biggin, Christopher Burns, Ian Critchley, Pippa Goldschmidt, Linden Hibbert, Hannah Hoare, Catrin Kean, Roger Luckhurst, Baret Magarian, Wyl Menmuir, Alison Moore, Okechukwu Nzelu, Simon Okotie, ... Unknown localization key: "more"

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One Puzzling Afternoon - Emily Critchley

A MOVING, CAPTIVATING MYSTERY BELOVED BY READERS AND PERFECT FOR FANS OF THE LIST OF SUSPICIOUS THINGS AND ELIZABETH IS MISSINGOn a suburban street filled with secrets, 82 year old Edie Green must look back into the past to discover what happened to her friend Lucy, who went missing years before . . .*Selected as an Indie Book of the Month*It is 1951, and at number six Sycamore Street fifteen-year-old Edie Green is lonely. Living alone with her eccentric mother - who conducts seances for the local Ludthorpe community - she is desperate for something to shake her from her dull, isolated life.When the popular, pretty Lucy Theddle befriends Edie, she thinks all her troubles are over. But Lucy has a secret, one Edie is not certain she should keep . . .Then Lucy goes missing.2018. Edie is eighty-two and still living in Ludthorpe. When one day she glimpses Lucy Theddle, still looking the same as she did at fifteen, her family write it off as one of her many mix ups. There's a lot Edie gets confused about these days. A lot she finds difficult to remember. But what she does know is this: she must find out what ... Unknown localization key: "more"

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Landscape and Memory - Simon Schama

The forest primeval, the river of life, the sacred mount – read ‘Landscape and Memory’ to have these explained… ‘Landscape and Memory’ is a history book unlike any other. In a series of journeys through space and time, it examines our relationship with the landscape around us – rivers, mountains, forests – the impact each of them has had on our culture and imaginations, and the way in which we, in turn, have shaped them to answer our needs. This is not a conventional history book, but a book that builds up its argument by a series of poetic stories and impressions which cumulatively have the effect of a great novel.The forest primeval, the river of life, the sacred mount – at the end of this wonderful book we understand where these ideas have come from, why they are so compelling and how they still lie all around us.

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Czech Puppet Theatre Yesterday and Today

Theatre Institute Prague has produced Czech Puppet Theatre - Yesterday and Today, the long-awaited publication filled with information, illustrations and full-colour photographs documenting the history and trends of Czech puppet theatre from its earliest beginnings to today. Follow the course of Czech puppet theatre history - from the very first Czech puppeteer, Jiří Jan Brat, to the world-famous puppet characters of Spejbl and Hurvínek, the films of Jan Švankmajer and the illusionary Black theatre. Learn more about contemporary puppet theatre companies and theatre makers, like the DRAK Theatre and the Cakes and Puppets Theatre that today grace the Czech puppet stages and have made their own impression at festivals and theatres all over the world. Czech Puppet Theatre - Yesterday and Today is a unique collector's edition for anyone interested in the movements and trends of Czech puppet theatre - or simply anyone interested in looking at the more than 70 pages of remarkable full-colour photographs of puppets taken by some of the Czech Republic's leading theatre photographers. Czech Puppet Theatre - Yesterday and Today also contains information about organizations, schools and other institutions involved in the art of Czech puppet theatre. Publikace v angličtině o českém loutkovém divadle, jeho ... Unknown localization key: "more"

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Sensory Theatre - Tim Webb

Sensory Theatre: How to Make Interactive, Inclusive, Immersive Theatre for Diverse Audiences by a Founder of Oily Cart is an accessible step-by-step guide to creating theatre for inclusive audiences, such as young people on the autism spectrum or affected by other neuro-divergent conditions and children under two.Conventional theatre relies on seeing and hearing to involve its audience; sensory theatre harnesses the power of five or more senses to address its participants who have different ways of relating to the world around them. This book is an insightful history of Oily Cart and its pioneering development of work for the very young, including Baby Theatre, and for neuro-divergent audiences including those on the autism spectrum. It gives a clear introduction to the fundamental concepts of this theatre, suggests a host of practical techniques drawn from over forty years of experience, and describes some of Oily CartÂ’s most radical innovations, including theatre on trampolines, in hydrotherapy pools, and with flying audiences in the company of aerial artists. The book also includes copious photos from the Oily CartÂ’s archives and links to videos examples of the companyÂ’s work. Readers will learn how to:Research the intended audience while not being led astray by labels.Create ... Unknown localization key: "more"

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Trial by Theatre - Barbara Day

The motto Národ sobě - "From the Nation to Itself” - inscribed over the proscenium arch of Prague's National Theatre symbolizes the importance theatre holds for the Czechs. During the National Awakening of the 19th century, theatre took the place of politics, becoming an instrument of national identity in the hands of the revivalists. In what was then part of a German-speaking empire, the Czechs devised a complex and evocative theatre language made up of allegory, allusion, juxtaposition, games, wordplay, legend, history, illusion and music. A sophisticated avant-garde theatre flowered in Czechoslovakia between the wars, and became a symbol of independence during the Nazi occupation. It survived Socialist Realism and Stalinism to blossom again in the "Golden Sixties” when Prague became "the theatre capital of Europe” (Kenneth Tynan) and a generation of theatre and film directors (Radok, Grossman, Schorm) and playwrights (Havel, Kundera, Topol) were at the forefront of the Prague Spring. Reprisals took place after the 1968 Soviet invasion when, under "normalization,” hardline Communists tried to silence the voices of the ‘60s; thousands were forced into internal and external emigration. The theatre culture, however, flexible and experienced from previous repression, again provided a basis of opposition to totalitarianism. For ... Unknown localization key: "more"

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Sustainable Theatre: Theory, Context, Practice - Iphigenia Taxopoulou

How does the world of theatre and the performing arts intersect with the climate and environmental crisis? This timely book is the first comprehensive account of the sector’s response to the defining issue of our time.The book documents a sector in transition and presents theatre professionals, practitioners and organizations with a synthesis of information, knowledge and expertise to guide them to their own endorsement of sustainable thinking and practice. It is illustrated with inspiring case studies and interviews, from London’s National Theatre, to Sydney Theatre Company, to the Göteborg Opera and the American Repertory Theatre. These foreground the work of pioneering institutions and individual practitioners whose artistic ingenuity, creative activism and sense of public mission have given shape, content and purpose to what we can now call ‘sustainable theatre’.Spanning almost three decades, the book approaches the topic from multiple angles and through an international perspective, recording how climate and environmental concerns have been expressed in cultural policy, arts leadership and organizational ethics; in the greening of infrastructure and daily operations; in the individual and institutional practice of sustainable theatre-making; in performing arts education; and in touring practices and international collaboration. It investigates, too, how the climate crisis influences theatre as ... Unknown localization key: "more"

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Theatre Spaces 1920-2020 - Iain Mackintosh

In this lavishly illustrated hands-on account of the creation of new theatre spaces spanning a century, Iain Mackintosh offers a compelling history that is part memoir, part impassioned call to rethink the design of our theatre spaces and the future of live theatre. As the originator of theatre designs as diverse as the Cottesloe in 1977, Glyndebourne in 1994, the Orange Tree Theatre in 1991, the Martha Cohen Theatre in 1985 and the Tina Packer Playhouse in 2001, he discovered why the same show worked in some theatres but not in others. It is this unique blend of experience that informs this account of many of the best-known theatre spaces in Britain, besides many international examples including the Guthrie Theater, Minneapolis and the Oslo Opera House. Running throughout is a consideration of factors which have shaped design thinking during this time and which demand attention today. After the long theatre closures driven by the Covid-19 pandemic, Mackintosh argues that now is the time to discover the routes travelled over the last century.Published in partnership with the Society of Theatre Research, the book features a foreword by Sir Richard Eyre, Director of the National Theatre, 1987–1997.

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Theatre and Therapy - Fintan Walsh

What is the relationship between theatre and therapy? How has this relationship developed over time, with a new contemporary focus on mental wellbeing? How is therapy put on the couch by theatrical performance?Theatre and Therapy explores the evolution of links between theatre and therapy by considering actor training, theatre in therapeutic contexts, and contemporary theatre and performance practice. The book illuminates some of the connections and frictions between theatre and therapy, drawing on a range of examples that includes theatre performance, documentary theatre, solo performance, comedy, method acting and dramatherapy. This concise study traverses some of the changing interactions between theatre and therapy, and in this revised edition, takes into account shifting attitudes and approaches to theatre as a therapeutically inspired practice and tool.

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Redefining Theatre Communities

An examination of the relationship between contemporary theater and its communities.Redefining Theatre Communities explores the interplay between contemporary theatre and communities. It considers the aesthetic, social, and cultural aspects of community-conscious theatre-making. While doing so, the volume reflects on recent transformations in structural, textual, and theatrical conventions and traditions, and explores the changing modes of production and spectatorship in relation to theatre communities. The essays in this collection present an array of emerging perspectives on the politics, ethics, and practices of community representation in the contemporary international theatre landscape. An international, interdisciplinary collection featuring work by theatre scholars, theatre-makers, and artistic directors from across Europe and beyond, Redefining Theatre Communities will appeal to those interested in the diverse forms of socially engaged theatre and performance.

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Theatre Histories - Daphne P. Lei, Tobin Nellhaus, Tamara Underiner, Patricia Ybarra

This updated fourth edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted.Bringing together a group of scholars from a diverse range of backgrounds and approaches to the history of global theater, this introduction to theatre history places theatre into its larger historical contexts and attends to communication’s role in shaping theatre. Its case studies provide deeper knowledge of selected topics in theater and drama, and its “Thinking Through Theatre Histories” boxes discuss important concepts and approaches used in the book.Features of the fully updated fourth edition include:Deeper coverage of East Asian and Latin American theater.Richer treatment of popular culture.More illustrations, photographs, and information about online resources.New case studies, include several written by authoritative scholars on the topic.Pronunciation guidance, both in the text and as audio files online.Timelines.An introduction on historiography.A website with additional case studies, a glossary, recordings of the pronunciation of important non-English terms, and instructor resources.A case studies library listing, including both those in print and online, for greater instructor choice and flexibility.This is an essential textbook for undergraduate courses in theatre ... Unknown localization key: "more"

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Theatre Studios - Tom Cornford

Theatre Studios explores the history of the studio model in England, first established by Konstantin Stanislavsky, Jacques Copeau and others in the early twentieth century, and later developed in the UK primarily by Michel Saint-Denis, George Devine, Michael Chekhov and Joan Littlewood, whose studios are the focus of this study. Cornford offers in-depth accounts of the radical, collective work of these leading theatre companies of the mid-twentieth century, considering the models of ensemble theatre-making that they developed and their remnants in the newly publicly-funded UK theatre establishment of the 1960s. In the process, this book develops an approach to understanding the politics of artistic practices rooted in the work of John Dewey, Antonio Gramsci and the standpoint feminists. It concludes by considering the legacy of the studio movement for twenty-first-century theatre, partly by tracking its echoes in the work of Secret Theatre at the Lyric, Hammersmith (2013–2015). Students and makers of theatre alike will find in this book a provocative and illuminating analysis of the politics of performance-making and a history of the theatre as a site for developing counterhegemonic, radically democratic, anti-individualist forms of cultural production.

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Starting a Theatre Company - Karl Falconer

Exploring everything from company incorporation and marketing, to legal, finance and festivals, Starting a Theatre Company is the complete guide to running a low-to-no budget or student theatre company. Written by an experienced theatre practitioner and featuring on-the-ground advice, this book covers all aspects of starting a theatre company with limited resources, including how to become a company, finding talent, defining a style, roles and responsibilities, building an audience, marketing, the logistics of a production, legalities, funding, and productions at festivals and beyond. The book also includes a chapter on being a sustainable company, and how to create a mindset that will lead to positive artistic creation. Each chapter contains a list of further resources, key terms and helpful tasks designed to support the reader through all of the steps necessary to thrive as a new organisation. An eResource page contains links to a wide range of industry created templates, guidance and interviews, making it even easier for you to get up and running as simply as possible.Starting a Theatre Company targets Theatre and Performance students interested in building their own theatre companies. This book will also be invaluable to independent producers and theatre makers.

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Toward a Future Theatre - Caridad Svich

Featuring conversations with theatre makers in the US and UK during the first 8 months of the Covid-19 lockdown, this collection reveals the innovations in digital theatre as artists, companies and theatres had to adjust to the restrictions and formulate new ways of working and reaching audiences. Besides documenting in their own words the work that was generated, this book captures the artists'' dreams for a new post-Covid reality in which theatre is reimagined and issues of racial and economic injustice are addressed. With conversations grouped under 5 broad areas, a host of theatre makers candidly discuss the present and the future of theatre: * R/evolution: How should theatre evolve rather than re-set? What kind of field could this be, if the arts sector is to survive in the US and UK and if white supremacist, classist, ableist, and patriarchal structures are dismantled, and acts of regeneration and reformation occur? * What does theatre look like at the local and hyper-local level and when working with young people and communities at risk? * What are the challenges of creating work in the digital realm and/or exploring socially distanced performance in new ways? * How may theatre address social inequalities and ... Unknown localization key: "more"

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Theatre Buildings

In 2021, its Diamond Jubilee year, the Association of British Theatre Technicians (ABTT) undertook to revise Theatre Buildings: A Design Guide (Routledge, 2010). This new edition (Routledge, 2023) has substantially re-written text with fresh images and entirely new reference projects, providing essential guidance for all those engaged in the design of theatre buildings. Edited by Margaret Shewring (Emeritus Reader, University of Warwick, former Director of the Postgraduate Diploma and MA in Theatre Consultancy), this new publication is written by a team of international experts, architects, theatre consultants, acousticians, engineers and industry professionals led by Tim Foster (Foster Wilson Size) and Robin Townley (CEO of the ABTT). It provides an invaluable resource for those looking to build, remodel or conserve theatre buildings, taking into account the significant changes which have taken place in the last twelve years in all aspects of theatre design and technical practice. It locates those changes in the wider context of the need for sustainability in the theatre industry in response to the climate emergency, inclusivity, diversity of access, placemaking and concerns for health and wellbeing. This new edition provides guidance for anyone who seeks inspiration and encouragement to create or improve a place of entertainment or ... Unknown localization key: "more"

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National Theatre: All About Theatre - National Theatre

Described by Benedict Cumberbatch as "a brilliant introduction to theatre", this fascinating book by the National Theatre shows how plays like War Horse and many others are made. Described by Benedict Cumberbatch as "a brilliant introduction to theatre", this fascinating book by the National Theatre shows how plays like War Horse and many others are made. The book is packed with interviews with famous directors and actors, like Lenny Henry, Meera Syal, Julie Walters and Ben Whishaw, and productions like The Curious Incident of the Dog in the Night-Time and One Man, Two Guvnors. Hear from experts at the world-famous National Theatre about every aspect of stagecraft, including prop-making, set building and lighting design, and discover, from first idea to final curtain, how plays are made.

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Dance in Musical Theatre

From Oklahoma! and West Side Story, to Spring Awakening and Hamilton, dance remains one of the most important and key factors in musical theatre. Through the integration of song and dance in the ''dream ballets'' of choreographers like Agnes De Mille; the triple threat performances of Jerome Robbins’ dancers; the signature style creation by choreographers like Bob Fosse with dancers like Gwen Verdon; and the contemporary, identity-driven work of choreographers like Camille A. Brown, the history of the body in movement is one that begs study and appreciation. Dance in Musical Theatre offers guidelines in how to read this movement by analyzing it in terms of composition and movement vocabulary whilst simultaneously situating it both historically and critically. This collection provides the tools, terms, history, and movement theory for reading, interpreting, and centralizing a discussion of dance in musical theatre, importantly, with added emphasis on women and artists of color. Bringing together musical theatre and dance scholars, choreographers and practitioners, this edited collection highlights musical theatre case studies that employ dance in a dramaturgically essential manner, tracking the emergence of the dancer as a key figure in the genre, and connecting the contributions to past and present choreographers. This collection ... Unknown localization key: "more"

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Directing for Community Theatre - Daniel L. Patterson

Directing for Community Theatre is a primer for the amateur director working in community theatre. With an emphasis on preparedness, this book gives the amateur director the tools and techniques needed to effectively work on a community theatre production. Covering play analysis, blocking, staging, communication, and working with actors, designers, and other theatre personnel, this how-to book is designed to have the community theatre director up and running quickly, with full knowledge of how to direct a show. The book also contains sample forms and guidelines, including acting analysis, character analysis, rehearsal schedule, audition form, prop list, and blocking pans. Directing for Community Theatre is written for the community theatre participant who is interested, or already cast, in the role of the director.

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Social Capacity Building through Applied Theatre - Au Yi-Man, John O'Toole

As experts in both applied theatre and education, Au Yi-Man and John OÂ’Toole outline how applied theatre techniques can be used to support workers in the human services to develop crucial skills such as resilience, imagination, critical thinking, and reflection.Highlighting under-emphasised skills and qualities in the human services professions, this book combines theory with context-specific practice to support capacity building across sectors. Drawing on a detailed study of NGO workers learning to use applied theatre techniques in professional development, the book offers insight into the learning and experiences of the participants and how these can be applied to future training programs. The book also provides a deeper understanding of how adult learners, from different backgrounds and levels of experience, approach their professional training. Rich with resources, the book features complete course examples, including theatre of the oppressed, process drama, and educational theatre, as core drama techniques.Opening up new opportunities for applied theatre practitioners and educators, this book is a must-read for teachers in any human services field intending to use drama or applied theatre in their training.

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Musical Theatre Auditions and Casting - Neil Rutherford

Musical theatre is a tough and over-crowded industry. Yet, despite the huge competition, many performers find auditioning difficult with little knowledge of what the directors, creative teams and producers are looking for, or how to win the panel over with their unique talent. As a leading international casting director, Neil Rutherford has seen thousands of hopefuls audition over the years. Uniquely, he also understands what it is like to audition from his years as a professional actor in musical theatre.This book provides a unique perspective on the musical theatre audition process and how to improve the chances of landing a role. With wit, humour and insight, Neil Rutherford guides the reader through the crucial elements of musical theatre auditions, opening up the process of casting and auditioning to the thousands of hopefuls trying to secure work in this industry every year, as well as anyone involved in musical theatre. With a foreword by Tony-award-winning director Bartlett Sher, the book also contains contributions from some of the world''s leading directors and musical directors, including Sir Richard Eyre and Jerry Mitchell, adding further valuable insight from those at the centre of the musical theatre world. This book is a vital tool for ... Unknown localization key: "more"

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Grateful Dead: Fox Theatre, St. Louis, Mo (12/10/71) (3x CD) - CD (0349784445)

Hudební CD - Kompletní záznam koncertu z Fox Theatre v St. Louis. Kompletní záznam koncertu z Fox Theatre v St. Louis. Legendární rocková skupina ze San Francisca vznikla v roce 1965 a patří k zásadním reprezentantům zlatého věku rockové hudby. Na přelomu šedesátých a sedmdesátých let se proslavila dlouhými a divokými improvizacemi během koncertních vystoupení. V tvorbě pracovala s vlivy nejrůznějších hudebních stylů od rocku a psychedelie, přes folk a bluegrass, až třeba ke gospelu, jazzu nebo reggae. Rozpadla se v roce 1995, kdy zemřela vůdčí osobnost skupiny, kytarista a zpěvák Jerry Garcia. V roce 2007 skupina obdržela Grammy za celoživotní přínos. Rok vydání : 2021 Seznam stop CD1 Bertha (Live at the Fox Theatre, St. Louis, MO 12/10/71) / Me And My Uncle (Live at the Fox Theatre, St. Louis, MO 12/10/71) / Mr. Charlie (Live at the Fox Theatre, St. Louis, MO 12/10/71) / Loser (Live at the Fox Theatre, St. Louis, MO 12/10/71) / Beat It On Down The Line...

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Grateful Dead: Fox Theatre, St. Louis, Mo (12/10/71) (5x LP) - LP (0349784444)

LP vinyl - Kompletní záznam koncertu z Fox Theatre v St. Louis. Kompletní záznam koncertu z Fox Theatre v St. Louis. Legendární rocková skupina ze San Francisca vznikla v roce 1965 a patří k zásadním reprezentantům zlatého věku rockové hudby. Na přelomu šedesátých a sedmdesátých let se proslavila dlouhými a divokými improvizacemi během koncertních vystoupení. V tvorbě pracovala s vlivy nejrůznějších hudebních stylů od rocku a psychedelie, přes folk a bluegrass, až třeba ke gospelu, jazzu nebo reggae. Rozpadla se v roce 1995, kdy zemřela vůdčí osobnost skupiny, kytarista a zpěvák Jerry Garcia. V roce 2007 skupina obdržela Grammy za celoživotní přínos. Rok vydání : 2021 Seznam stop LP1 Bertha (Live at the Fox Theatre, St. Louis, MO 12/10/71) / Me And My Uncle (Live at the Fox Theatre, St. Louis, MO 12/10/71) / Mr. Charlie (Live at the Fox Theatre, St. Louis, MO 12/10/71) / Loser (Live at the Fox Theatre, St. Louis, MO 12/10/71) / Beat It On Down The Line (Live...

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The Doobie Brothers: Live From The Beacon Theatre (2x CD) - CD (0349785167)

Hudební CD - Záznam dvou vystoupení skupiny The Doobie Brothers v New Yorku v divadle Beacon Theartre z roku 2018 s názvy Toulouse Street a The Captain and Me. Záznam dvou vystoupení skupiny The Doobie Brothers v New Yorku v divadle Beacon Theartre z roku 2018 s názvy Toulouse Street a The Captain and Me. The Doobie Brothers jsou americká rocková hudební skupina, která vznikla v roce 1970 v San José v Kalifornii. V 70. letech 20. století byla jednou z nejpopulárnějších kalifornských skupin Seznam stop CD1 Listen to the Music (Live From the Beacon Theatre, November, 2018) / Rockin' Down The Highway (Live From the Beacon Theatre, November, 2018) / Mamaloi (Live From the Beacon Theatre, November, 2018) / Toulouse Street (Live From the Beacon Theatre, November, 2018) / Cotton Mouth (Live From the Beacon Theatre, November, 2018) / Don't Start Me To Talkin' (Live From the Beacon Theatre, November, 2018) / Jesus Is Just Alright (Live From the Beacon...

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Crosby David: Live At The Capitol Theatre (CD+DVD) - DVD (4050538640298)

Hudební DVD - Záznam vystoupení Davida Crosbyho v Capitol Theatre, kde ho doprovodila skupina The Lighthouse Band, kterou tvoří Becca Stevens, Michelle Willis a Michael League, vychází na kompletu CD+DVD. Slavný americký hudebník proslul jako součást kvarteta Crosby, Stills, Nash and Young. Záznam vystoupení Davida Crosbyho v Capitol Theatre, kde ho doprovodila skupina The Lighthouse Band, kterou tvoří Becca Stevens, Michelle Willis a Michael League, vychází na kompletu CD+DVD. Slavný americký hudebník proslul jako součást kvarteta Crosby, Stills, Nash and Young. Během své bohaté kariéry vydal rovněž několik sólových alb. Crosby je hned dvojnásobným členem rock'n'rollové Síně slávy, kam se dostal pro svou práci ve skupinách Byrds a CSN. Seznam stop CD+DVD CD The Us Below (Live at the Capitol Theatre) / Things We Do For Love (Live at the Capitol Theatre) / 1974 (Live at the Capitol Theatre) / Vagrants of Venice (Live at the Capitol Theatre) / Regina (Live at...

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Trailblazers of Black British Theatre - Stephen Bourne

In Trailblazers of Black British Theatre, Stephen Bourne celebrates the pioneers of Black British theatre, beginning in 1825, when Ira Aldridge made history as the first Black actor to play Shakespeare’s Othello in the United Kingdom, and ending in 1975 with the success of Britain’s first Black-led theatre company.In addition to providing a long-overdue critique of Laurence Olivier’s Othello, too-often cited as the zenith of the role, Bourne has unearthed the forgotten story of Paul Molyneaux, a Shakespearean actor of the Victorian era. The twentieth-century trailblazers include Paul Robeson, Florence Mills, Elisabeth Welch, Buddy Bradley, Gordon Heath, Edric Connor and Pearl Connor-Mogotsi, all of them active in Great Britain, though some first found fame in the United States or the Caribbean. Then there are the groundbreaking works of playwrights Barry Reckord and Errol John at the Royal Court; the first Black drama school students; pioneering theatre companies; and three influential dramatists of the 1970s: Mustapha Matura, Michael Abbensetts and Alfred Fagon.Drawing on original research and interviews with leading lights, Trailblazers of Black British Theatre is a powerful study of theatre’s Black trailblazers and their profound influence on British culture today.

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Theatre in Practice - Nick O'Brien

Theatre in Practice, third edition, is an accessible and wide-ranging exploration of the central practices and key practitioners covered on the various syllabi at A level, IB, and at undergraduate level.Exploring Stanislavski, Brecht, Artaud, Lecoq, Berkoff, Bogart, Mitchell and Craig, as well as work from innovative theatre companies such as Tamasha, Sh!T Theatre, Complicite, Gecko and The Paper Birds, it combines an informal, unpretentious tone with a wealth of practical exercises. Revised and updated to include some of the latest practices in theatre, this new edition offers a step-by-step approach to developing key skills such as devising, improvising, rehearsing mono/duologues and directing plays.New for this edition are chapters from Nick O''Brien and Mikhaela Mahony on key female and global majority practitioners; a chapter offering a unique insight into the acting practice of award-winning actress Indira Varma; and updated information throughout.Written by specialists with extensive experience at post-16 and undergraduate level, Theatre in Practice is a thorough and imaginative resource that speaks directly to students and teachers. This book offers students a range of exercises to experience and explore key practitioners enabling them to understand theatre how it should be understood: through practice.

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Theatre of Marvels - Lianne Dillsworth

''Richly evocative and glittering with atmosphere, this tale of ambition and identity had me gripped from start to finish'' STACEY HALLS, Sunday Times bestselling author of The Familiars''Theatre of Marvels is a fascinating, empowering story of a young woman''s search for identity and justice in Victorian London, a world which Lianne Dillsworth evokes so richly'' JENNIFER SAINT, author of Ariadne_________________________________Behind the spectacle there are always secrets.Unruly crowds descend on Crillick''s Variety Theatre. A black, British actress, Zillah, is headlining tonight. An orphan from the slums of St Giles, her rise to stardom is her ticket out - to be gawped and gazed at is a price she''s willing to pay.Rising up the echelons of society is everything Zillah has ever dreamed of. But when a new stage act disappears, Zillah is haunted by a feeling that something is amiss. Is the woman in danger?Her pursuit of the truth takes her into the underbelly of the city - from gas-lit streets to the sumptuous parlours of Mayfair - as she seeks the help of notorious criminals from her past and finds herself torn between two powerful admirers.Caught in a labyrinth of dangerous truths, will Zillah face ruin - or will she ... Unknown localization key: "more"

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Theatre and Social Media - Patrick Lonergan

How does theatre, one of the most ancient and physical arts, relate to the modern, dynamic technology that is social media? How have changes in the use of social media affected the theatre? How does social media itself operate as a performance space?Used daily by many, social media has become one of the main mediums through which we present and perform our lives. In this concise study of the revealing relationship between theatre and social media, Patrick Lonergan considers social media as a performance space, analyses how theatre-makers'' engagement with social media on and off stage affects elements of theatrical composition and reception, and explores the practical and conceptual implications of audiences interacting with professional productions through social media.Exploring case studies from Shakespearean performance to Broadway musicals, this revised edition explores new approaches to social media and theatre, asking how new platforms can influence, and even create, theatre productions.

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Theatre - Marvin Carlson

From before history was recorded to the present day, theatre has been a major artistic form around the world. From puppetry to mimes and street theatre, this complex art has utilized all other art forms such as dance, literature, music, painting, sculpture, and architecture. Every aspect of human activity and human culture can be, and has been, incorporated into the creation of theatre. In this Very Short Introduction Marvin Carlson takes us through Ancient Greece and Rome, to Medieval Japan and Europe, to America and beyond, and looks at how the various forms of theatre have been interpreted and enjoyed. Exploring the role that theatre artists play -- from the actor and director to the designer and puppet-master, as well as the audience -- this is an engaging exploration of what theatre has meant, and still means, to people of all ages at all times.ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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Clean Break Theatre Company - Anne-marie Greene, Sarah Bartley, Deborah Dean, Caoimhe McAvinchey

Clean Break Theatre Company is a women-only theatre company that grew out of a prisoner-led drama workshop that took place between 1977–1979 in HMP Askham Grange. In addition to its considerable impact on criminalised women and public understandings of the socio-political impact of their experiences, Clean Break has had a significant but under-acknowledged impact on contemporary British theatre. We examine three areas of Clean Break''s theatre making history and organisational practices: its origin stories; its education and engagement work; and how the company''s performance practices have, across five decades, ''then'' and ''now'', adapted to directly intervene in carceral society. By highlighting Clean Break''s distinct activist theatre making processes and practices, the book makes explicit the genealogical connections of the company''s past work and its impacts on contemporary feminist theatre practices.

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Conversations with Women in Musical Theatre Leadership

Most writers, composers, librettists, and music directors who make their careers in musical theatre do so without specific training or clear pathways to progress through the industry. Conversations with Women in Musical Theatre Leadership addresses that absence by drawing on the experiences of these women to show the many and varied routes to successful careers on, off, and beyond Broadway. Conversations with Women in Musical Theatre Leadership features 15 interviews with Broadway-level musical theatre music directors, directors, writers, composers, lyricists, stage managers, orchestrators, music arrangers, and other women in positions of leadership. Built around extensive interviews with women at the top of their careers in the creative and leadership spheres of musical theatre, these first-hand accounts offer insight into the jobs themselves, the skills that they require, and how those skills can be developed.Any students of musical theatre and stagecraft, no matter what level and in what setting from professional training to university and conservatory study, will find this a valuable asset.

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Steppenwolf Theatre Company of Chicago - John Mayer

In 1974, a group of determined, young high school actors started doing plays under the name of Steppenwolf Theatre Company, eventually taking residence in the basement of a church in Highland Park, a suburb of Chicago. Thus began their unlikely journey to become one of the most prominent theatre companies in the world.Steppenwolf Theatre Company has changed the face of American Theatre with its innovative approach that blends dynamic ensemble performance, honest, straightforward acting, and bold, thought-provoking stories to create compelling theatre.This is the first book to chronicle this iconic theatre company, offering an account of its early years and development, its work, and the methodologies that have made it one of the most influential ensemble theatres today.Through extensive, in-depth interviews conducted by the author with ensemble members, this book reveals the story of Steppenwolf''s miraculous rise from basement to Broadway and beyond. Interviewees include co-founders Jeff Perry, Gary Sinise and Terry Kinney, along a myriad of ensemble, staff, board members and others.

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A Beginner’s Guide to Directing Theatre - Robert Marsden

An accessible guide to the theatre directing process of text-based theatre, from the choice of the play through to an encounter with an audience.Moving from how to choose a play to the opening night, A Beginner’s Guide to Directing Theatre takes the reader, via a step-by-step approach, through various techniques, practitioners, methodologies and exercises that could be applied to text-based theatre.Through doing so, the reader comes to understand:- The differences between directing (the approach) and the director (the role), how that crosses over and ways to navigate this- A range of practices, methodologies and techniques for the differing and diverse styles, genres, playwrights and movements. i.e. the ‘what’ of directing- How to create inclusive, safe and diverse practices of casting and rehearsal methodsBy not providing one single methodology, but introducing readers to various methods, the author garners an understanding of how different plays, genres, styles and movements require their own approaches to reach opening night.Whilst not concentrating on devised or non-text based theatre, the book makes explicit how devising, experiential and improvisatory techniques can be embraced to inform the types of methodologies a director may embrace whilst approaching text-based work.From here, readers will be able to know which practitioners and ... Unknown localization key: "more"

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Applied Theatre - Kay Hepplewhite

This accessible book outlines the key ideas that define the global phenomenon of applied theatre, not only its theoretical underpinning, its origins and practice, but also providing eight real-life examples drawn from a diversity of forms and settings.The clearly arranged topic sections entitled When, What, Who, Why and Where emphasise the responsive nature of applied theatre, its social context and the importance of a beneficial outcome for participants, which can connect fields as disparate as health, criminal justice, education and migration. Labels and terms are explained, along with applied theatreÂ’s core values, motivations and objectives, allowing the reader to build a coherent understanding of its distinguishing features.Applied Theatre: The Key Concepts is aimed at students, academics, artists and practitioners of applied theatre as well as those with an interest in this vital blend of social and creative practice.

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Theatre and Class - Paul Thomas Murphy

What is the relationship between theatre and class? How has this relationship developed over time, from the age of empire to the advent of social democracy and on to contemporary times? What impact has late capitalism had on the theatre industry? What effect has the reduction of government funding for the arts had on career prospects for actors from working-class backgrounds?Theatre and Class is a stark look at the evolution of the political economy in Western society. Exploring the historical development of the notions of ''class'', as well as the contemporary debates that still surround this issue, this book reveals how the ascending middle class took centre stage in both the theatre and the public sphere. This concise study traverses the challenging history of ''class'' in the 19th, 20th and 21st centuries and, through a number of case studies, examines ''class'' as a performance both in the theatre and in wider society.

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A Cultural History of Theatre in the Early Modern Age

For both producers and consumers of theatre in the early modern era, art was viewed as a social rather than an individual activity. Emerging in the context of new capitalistic modes of production, the birth of the nation state and the rise of absolute monarchies, theatre also proved a highly mobile medium across geolinguistic boundaries. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1400 to 1650, and examines the socioeconomically heterodox nature of theatre and performance during this period. Highly illustrated with 48 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

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A Cultural History of Theatre in the Age of Enlightenment

French philosopher Jean-Jacques Rousseau wrote, ‘the general effect of the theatre is to strengthen the national character to augment the national inclinations, and to give a new energy to all the passions’. During the Enlightenment, the advancement of radical ideas along with the emergence of the bourgeois class contributed to a renewed interest in theatre’s efficacy, informed by philosophy yet on behalf of politics. While the 18th century saw a growing desire to define the unique and specific features of a nation’s drama, and audiences demanded more realistic portrayals of humanity, theatre is also implicated in this age of revolutions. A Cultural History of Theatre in the Age of Enlightenment examines these intersections, informed by the writings of key 18th-century philosophers. Richly illustrated with 45 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

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Applied Theatre and the Permacrisis - Katy Perez, Peter O'Connor

Responding to the global state of permacrisis, this book explores the relationship between applied theatre and disaster.For millennia communities have learnt to live alongside disaster through their arts making. Building on the basis of this ancestral knowledge this book explores the current uses of applied theatre in times of constant crisis. Using a critical disaster studies lens, the authors recognise the role of governments and multinational businesses in profiteering from and manipulating for their own advantage the misery caused by disasters. Case studies of different stages of disaster, from risk reduction and disaster preparedness through to the almost inevitable resistance to failed government intervention, illustrate the possibilities and limitations of applied theatre and other art forms to navigate these times. Applied theatre is seen as a vital act of aesthetic and political hope.At a time of never-ending, overlapping disasters, this book will be important to researchers and postgraduate students working in applied theatre and disaster research in the social sciences. It will also appeal to applied arts practitioners who work in disaster zones and with relief organisations.

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Theatre of War 2 - Battle for Caen (195511)

Herní doplněk / DLC - elektronická licence, klíč pro Steam, žánr: Strategie, pro uplatnění je vyžadována základní hra Theatre of War 2: Battle for Caen je datadisk pro oceňovanou hru Theatre of War 2: Kursk 1943, který se soustředí na jedno z nejznámějších tažení 2. světové války. Hráč se ujme velení britské 11. obrněné divize během operace Epsom a Goodwood, které probíhaly v období od 26. června do 19. července 1944. Bude se muset ovšem připravit na odpor, jenž mu budou klást síly 2., 21. a 1. oddílu SS a 12. oddílu tankového oddílu SS, které rozhodně nehodlají dát svou kůži lacino. Tato fotografie je vypnuta z colorboxu a nebude se v něm tedy zobrazovat. Theatre of War 2: Battle for Caen je datadisk pro oceňovanou hru Theatre of War 2: Kursk 1943, který se...

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Théâtre musical (978-80-733-1191-9)

Elektronická kniha - autor Jiří Adámek, 208 stran Kniha se věnuje specifickému proudu současného divadla, ve kterém dochází k prolínání hudebních a divadelních prostředků, tzv. théâtre musical. První část přibližuje tvorbu trojice významných současných zahraničních reprezentantů théâtre musical: Georgese Aperghise, který 20 let vedl hudebně-divadelní laboratoř Atelier Théâtre et Musique (ATEM); německého skladatele Heinera Goebbelse, tvůrce instrumentálního divadla, kde se hráči na nástroje stávají i performery a Švýcara Christophera Marthalera, který vytváří scénické fresky minimalistického charakteru. Druhá část se věnuje osobnosti Emila Františka Buriana, který v českém prostředí divadlo typu théâtre musical předznamenal. Práci doplňuje autorův pokus definovat „herectví poutaného hudbou“ na základě vlastní zkušenosti z projektu Tiká tiká politika.

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Directing Amateur Musical Theatre - Dom O'Hanlon

How do you choose a musical to direct that suits your amateur theatre group’s needs?How do you run an open and fair audition process and cast a show appropriately?How do you design a rehearsal schedule to cover a large set of amateur performers?How do you work with amateur actors to achieve a level of professionalism in performance while maintaining the enjoyment?Directing Amateur Musical Theatre offers answers to all of these questions and many, many more.Demystifying the pre-production process and auditions through to rehearsals and opening night, this book offers a roadmap for success for amateur directors everywhere.Rooted in the wide-ranging experience of a working practitioner who specialises in directing amateur musical theatre across various different formats, it details ways to stage different types of musical numbers, through to blocking and staging a scene, as well as how to approach a text and expanding the acting skills of a mixed-ability cast. Considering the opportunities offered by different musicals, it equips you to direct shows ranging from the golden age through to more contemporary works with imaginative, sensitive and informed direction.Featuring practical advice and exercises that follow the life-cycle of a production, this book also includes helpful charts, diagrams, templates and tools ... Unknown localization key: "more"

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The Art and Practice of Musical Theatre Choreography - Cassie Abate

What does a musical theatre choreographer actually do? They just ''make up the steps'', right? This book firstly debunks the misunderstandings around what musical theatre choreographers actually do, demonstrating their need to have an in-depth understanding of storytelling, music theory, performance practices and plot structure in order to create movement that enhances and enlivens the musical. Secondly, it equips the musical theatre choreographer with all the tools needed to create nuanced, informed and inspired movement for productions, through structured activities that build specific skills (such as ''notating the script'' and ''scoring the score'').Traditionally, this training has been something of a series of secrets, passed from mentor to apprentice. The author demystifies the process to make the previously undisclosed “tricks of the trade” accessible to all choreographers, everywhere. Covering the entire process of choreographing a musical from the first script reading to the final curtain call, this book makes case for the absolute integrity of the choreographer to any musical theatre production and sets out the theoretical principles of choreography alongside the practical application during every step of the production process.

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Theatre and the USA - Charlotte Canning

How is the individual and the ‘nation’ constructed and promoted in American theatre? How does theatre enable a nation to invent and reinvent itself? Who are the ‘people’ in ‘We the People’?This brief study examines the intersection of the USA’s sense of self with its theatre, revealing how the two have an entangled history and a shared identity.Through case studies of six canonical plays and musicals, such as Uncle Tom’s Cabin (1852), Oklahoma! (1943), Angels in America (1991), and Hamilton (2015), Theatre and the USA demonstrates how all six of these plays sparked controversy, spoke to their moment, and became canonical texts, arguing that that the histories of these plays are the history of the USA’s theatrical infrastructure.

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