hurdle isms clint hurdle

Hurdle-isms - Clint Hurdle

A fun and easy read filled with insight, humor, wisdom, and wit In Hurdle-isms, renowned Major League Baseball player, hitting coach, manager, and current Special Assistant to the General Manager for the Colorado Rockies, Clint Hurdle, delivers a collection of his most inspirational stories. You'll find a ton of funny, insightful, and otherwise notable anecdotes from one of Major League Baseball's most successful personalities. In each chapter, Hurdle also describes the experience, strength, and hope he's gained through his experiences playing, coaching, and managing his way through the MLB, as well as his successes and failures in the league. You'll also discover: Laughter and lessons from Clint Hurdle's storied life in the major leagues, filled with quick wit and pithy humorCoverage of hot topics currently dominating the discussions taking place in professional baseballA fun and illuminating journey through a remarkable experience in the MLB straight from the person who lived it Perfect for baseball fans everywhere, Hurdle-isms is also a can't-miss book for sports enthusiasts looking for a quick and easy read filled with fun, humor, insight, and experience.

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Obrist-isms - Hans Ulrich Obrist

A thought-provoking collection of quotations from one of the most influential figures in the contemporary art worldHans Ulrich Obrist is one of the most celebrated curators working today and has twice been ranked #1 on ArtReview’s annual list of the most important people in the art world. As the primary or lead author of more than forty volumes of interviews with contemporary artists, of numerous exhibition catalogues for museums around the world, and of influential books on curation, he has established himself as a pivotal figure in contemporary art and culture. Drawn from Obrist’s writings, interviews, and other sources, Obrist-isms gathers a wealth of fascinating quotations from across his career, offering insights on everything from his approach to curating and his affinity with philosopher Édouard Glissant to his interest in artists’ unrealized projects. Obrist-isms is organized into seven thematic sections: Early Years; Curating and Exhibitions; Artists and Conversations; Archiving, Collecting, and Unrealized Projects; Édouard Glissant and Mondialité; On Sleep and Time; Art and the Environment; and Technology and the Future of Art. The book also features an introduction and a brief chronology of Obrist’s life and career. “Art is the highest form of hope.”“The motor, the engine, is curiosity. Curating is connected to curiosity.”“What is happening outside the museum is just as important as what’s happening inside. Make the walls porous. Think beyond exhibitions. Foster alliances.”“If there was ever a time that the world needed artists, it is now. We need their radical ideas, visions, and perspectives in society.”“There are many amazing unrealized projects out there: forgotten projects, misunderstood projects, lost projects, desk-drawer projects, poetic-utopian dream projects, unrealizable projects, partially realized projects, censored projects and so on.”“I believe in generosity as a medium.”

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Calder-isms - Alexander Calder

A dazzling collection of quotations from the modern American artist whose mobiles are beloved worldwideCalder-isms is a collection of fascinating, irreverent, and often profound quotations from the influential modern American sculptor Alexander Calder (1898–1976), who is most famous for his invention of what his friend Marcel Duchamp dubbed the “mobile.” Often suspended from ceilings, these sculptures feature abstract elements, frequently painted in bold colors, that move and balance in changing harmony. Calder’s art was dynamic, unconventional, and filled with vitality—qualities also displayed by his words, which combine the wisdom of a philosopher with the ingenuity of a true original. Taken from interviews, writings, and other sources, the quotations in Calder-isms offer memorable insights into Calder’s life, mind, and, above all, art. “Why must art be static? You look at an abstraction, sculptured or painted, an intensely exciting arrangement of planes, spheres, nuclei, entirely without meaning. It would be perfect, but it is always still. The next step in sculpture is motion.”“That visit to Mondrian gave me the shock that converted me. It was like the baby being slapped to make his lungs start working.”“[A mobile] has no utility and no meaning. It is simply beautiful. It has a great emotional effect if you understand it. Of course if it meant anything it would be easier to understand, but it would not be worthwhile.”“A title is just like the license plate on the back of a car. You use it to say which one you’re talking about.”“People think monuments should come out of the ground, never out of the ceiling, but mobiles can be monumental too.”“Bad taste always boomerangs.”

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Clint - Levy Shawn

New York Times "Editors Choice," Los Angeles Times "Must Read Book for Summer," and a New Yorker "Best Book of the Year So Far""This is the biography of Clint Eastwood we've been waiting for." — Sir Christopher Frayling, author of Sergio LeoneFrom the acclaimed film critic and New York Times bestselling biographer of Paul Newman, a revelatory portrait of Hollywood legend Clint Eastwood, the most prolific and versatile actor-director in movie history and an imposing icon of American culture for six decades. C-L-I-N-T. That single short, sharp syllable has stood as an emblem of American manhood and morality and sheer bloody-minded will, on-screen and off-screen, for more than sixty years. Whether he’s facing down bad guys on a Western street (Old West or new, no matter), staring through the lens of a camera, or accepting one of his movies' thirteen Oscars (including two for Best Picture), he is as blunt, curt, and solid as his name, a star of the old-school stripe and one of the most accomplished directors of his time, a man of rock and iron and brute force: Clint. To read the story of Clint Eastwood is to understand nearly a century of American culture. No Hollywood figure has so completely and complexly stood inside the changing climates of post–World War II America. At age ninety-five, he has lived a tumultuous century and embodied much of his time and many of its contradictions. We picture Clint squinting through cigarillo smoke in A Fistful of Dol­lars or The Good, the Bad and the Ugly; imposing rough justice at the point of a .44 Magnum in Dirty Harry; sowing vengeance in The Outlaw Josey Wales or Pale Rider or Unforgiven; grudgingly training a woman boxer in Million Dollar Baby; and standing up for his neighbors despite his racism in Gran Torino. Or we feel him present, powerfully, behind the camera, creating complex tales of violence, morality, and humanity, such as Mystic River, Letters from Iwo Jima, and American Sniper. But his roles and his films, however well cast and convincing, are two-dimensional in comparison to his whole life. As Shawn Levy reveals in this masterful biography—the most com­plete portrait yet of Eastwood—the reality is richer, knottier, and more absorbing. Clint: The Man and the Movies is a saga of cunning, determi­nation, and conquest, a story about a man ascending to the Hollywood pantheon while keeping one foot firmly planted outside its door.

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ZUMALINE MX6347-1-3BT CLINT stropní svítidlo černá

ZUMALINE MX6347-1-3BT CLINT – Moderní stropní svítidlo s originálním designemStropní svítidlo ZUMALINE MX6347-1-3BT CLINT v elegantní černé barvě je ideální volbou pro milovníky současného designu, kteří hledají nepřehlédnutelný prvek do svého interiéru. Díky kombinaci hliníku, kovu a PVC nabízí svítidlo nejen moderní vzhled, ale také vysokou odolnost a dlouhou životnost.Elegantní linie a maximální funkčnostSvítidlo z kolekce CLINT upoutá pozornost svým organickým tvarem, který vytváří plastické světelné efekty a dotváří unikátní atmosféru v prostoru. S výškou 410 mm, šířkou 220 mm a délkou 260 mm se hodí jak do obývacích pokojů, tak i do moderních kanceláří, vstupních hal nebo ložnic. Design: Nadčasové černé provedení s efektem světelné linie Materiál: Kvalitní hliník, kov a PVC zajišťují dlouhou životnost Rozměry: Výška 410 mm, šířka 220 mm, délka 260 mm Napětí: 230 V Kolekce: CLINTDoporučení a použitíSvítidlo je vhodné pro hlavní i doplňkové osvětlení moderních interiérů. Vynikne zejména v otevřených prostorách s minimalistickým nebo industriálním laděním. Doporučujeme kombinovat s dalšími prvky v černém matu pro ucelený vzhled.Trust badges & garance Životnost LED: 30 000 h Záruka: 2 roky Certifikace: CEFAQ – Nejčastější dotazy Je nutné dokupovat žárovky? Ne, svítidlo obsahuje integrovaný LED modul, není potřeba dokupovat žárovky. Lze svítidlo stmívat? Tato verze není určena pro stmívání. Pro variantu se stmíváním doporučujeme kontaktovat naši podporu.

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Abramovic-isms - Marina Abramovičová

A collection of fascinating and provocative quotations from the world-renowned performance artistMarina Abramovic is arguably the most important and influential performance artist of our time. For decades, she has broken boundaries in iconic works such as The Artist Is Present (2010), where she sat in silence across from members of the public at the Museum of Modern Art for eight hours a day for three months, and Rhythm 0 (1974), a six-hour performance in which she stood next to a table holding seventy-two objects, including a scalpel and a loaded gun, and a sign suggesting audience members could do to her whatever they wanted. Gathered from interviews, lectures, writings, and other sources, Abramovic-isms is a unique collection of quotations that offers a window into the mind of this iconic trailblazer. “Artists have to be free human beings. They have to have the complete freedom to express their ideas with no restrictions.”“Our body is an absolute replica of the Universe, and this is why I took to studying myself—by studying myself, I can understand everything else and everybody else.”“Beauty doesn’t have a definition. What is important is what moves you.”“Don’t ever call me the grandmother of performance art. Just call me a warrior.”

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Ono-isms - Yoko Ono

A powerful collection of quotations from iconic artist and activist Yoko OnoOno-isms is a collection of provocative and powerful quotations from influential artist, musician, songwriter, and peace activist Yoko Ono, providing a richer understanding of this important cultural icon. Since emerging on the international art scene in the early 1960s, Ono has made profound contributions to visual and performance art, filmmaking, and music in work that often radically questions the division between art and the everyday. In recent years she has embraced social media to communicate her artistic and activist messages to even broader audiences around the world.Gathered from interviews, books, song lyrics, social media, and other sources, this nuanced book sheds new light on a complex and multifaceted artist who has shaped our culture in countless ways. The quotations—close to 300 in all—are arranged by subject: art, life, creativity, nature and the environment, love, music, women in society, and peace and social justice. The book also features an introduction and a chronology of Ono’s life and work.“I’ve never seen a line between music and art and performance. And that’s a problem for some people.”“I think that all women are witches, in the sense that a witch is a magical being. And a wizard, which is a male version of a witch, is kind of revered, and people respect wizards. But a witch, my god, we have to burn them.”“I think if you have a persona you show the world that’s separate from your true personality, the strain becomes too much. What [John Lennon and I] decided was just to be ourselves. We didn’t have a conference about it or anything. It’s just the most relaxing way to be.”“I can take hatred, because I don’t believe that people are capable of real hate. We are too lonely for that. We vanish too quickly for that. Do you ever hate a cloud?”“Concentrate your mind on giving, loving, and thanking. Each time you give, you are in less pain. Give as much as you can. Find something you can love. Love as much as you can. Thank as much as you can.”

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JR-isms - JR

A collection of compelling quotations from JR—the renowned French photographer, street artist, and activistJR is perhaps best known for taking portraits of regular people, reproducing the images at a monumental scale, and pasting them on the sides of buildings in the subjects’ neighborhoods. Among his many other notable projects are a gigantic photo of a child peering over the top of the barrier at the US-Mexico border and an enormous mural of inmates that covers the ground of an outdoor exercise yard at a California prison. Collected from interviews, writings, and other sources, JR-isms is an inspiring and thought-provoking collection of quotations from the exciting artist and activist, whose work reaches far beyond the traditional art world, from the streets of New York to the suburbs of Paris and the favelas of Brazil. “I was writing my names on walls to say ‘I exist,’ then I started pasting pictures of people with their names to say they exist.”“Art is not supposed to change the world. It can offer a new perspective, a new look, break down the walls we build between us, and humanize the ‘other.’ ”“I always make sure in my art that I even confront my own perspective.”“You know what they say, that the criminal always goes back to the crime scene? It works the same for the artist. When you do something in the street, you come back to see how people approach it. No one knows it’s you, but you’re right there.”

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VUCH Clint (3644)

Batoh , rozměry: 37 × 30 × 13 cm, dámské provedení, hmotnost 0,54 kg Nezáleží na tom, co máte v plánu, batoh VUCH Clint vám bude tím nejlepším pomocníkem. Od začátku zaujme svou dokonalou propracovaností i důrazem na pohodlí, ergonomii a funkčnost. Vzhledem bude pasovat spíše ženám. Své místo má uvnitř batohu i váš notebook. Po stránce rozměrů, má batoh VUCH 37 × 30 × 13 cm. Nejdůležitější funkce batohu VUCH Clint Batoh VUCH vám bude skvěle pasovat Vychytané dámské provedení Batoh VUCH váží 0,54 kg Rozměry očekávejte 37 × 30 × 13 cm

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Select TRAINING HURDLE Tréninková pomůcka, oranžová, velikost

Set 6 překážek Select TRAINING HURDLE o výšce 15 cm. Ideální pomůcka pro nácvik koordinace a výbušnosti.

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Jak se stát lídrem, pro kterého lidé rádi pracují - Pulver Clint

Proč v některých firmách zaměstnanci roky spokojeně pracují, svoji práci milují a jsou loajální vůči svému zaměstnavateli? A proč jsou naopak jinde nespokojení, demotivovaní a odcházejí, což je pro firmu samozřejmě velice drahé? A ještě dražší je, když ti nespokojení a demotivovaní lidé ve firmě zůstanou!Odborník na pracovní sílu Clint Pulver vedl stovky rozhovorů se zaměstnanci různých firem, aby zjistil, co je pro ně důležité, co je ve firmě drží, naplňuje, co nesnášejí apod. A se svými poznatky a tipy se neváhá podělit se všemi lídry, kteří chtějí pochopit, co musejí ve firmě nebo u sebe změnit, aby své zaměstnance udrželi a získali co nejvíce z jejich potenciálu.Umožněte svým zaměstnancům pracovat s vášní, postarejte se o jejich potřeby a ukažte jim smysl toho, co dělají. Zaměstnanci totiž neopouštějí organizace, ale šéfy. Ale také kvůli šéfům zůstávají.

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Starodávná tajemství Mistra léčitele - Clint G. Rogers

Dr. Clint G. Rogers, Ph.D., je univerzitní vědec, který na "alternativní medicínu" nikdy neměl čas. Souhrou náhod se setkal se starodávným léčitelským uměním doktora Nárama. Skeptický vůči všemu, co bylo mimo oblast západní vědy, byl připraven ignorovat a bagatelizovat vše, čeho měl být v následujících měsících svědkem. Připojte se ke skeptickému vědci z USA, který cestuje do Himálaje a odhaluje tajemství prastaré léčitelské linie, na jejímž počátku stojí osobní lékař Gautamy Buddhy. Přečtete si příběh ze skutečného života: příběh o tom, jak láska k nemocnému otci posunula autora daleko za hranice toho, co považoval za logické nebo možné, do světa, v němž jsou "léčebné zázraky" každodenní zkušeností. Po tisíce let zdokonalovali největší himálajští léčitelé své unikátní léčebné umění, s jehož pomocí léčili fyzické, psychické i duchovní problémy. Nejúčinnější z těchto přírodních léčebných postupů jsou zaznamenány ve starých svitcích. Díky setkání autora s doktorem Náramem, legendárním Mistrem léčitelem, byla mnohá z těchto tajemství odhalena.

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Death of England: Delroy - Roy Williams, Clint Dyer

Me jumping out of the van, was the beginning of a very bad day for me. I just didn’t know it, but I was going to know it, in about four minutes, I was going to know, fer trut.2020. Delroy is arrested on his way to the hospital.Filled with anger and grief, he recalls the moments and relationships that gave him hope before his life was irrevocably changed.Written in response to their play Death of England, Death of England: Delroy is a new standalone work by Clint Dyer and Roy Williams, which follows a Black working-class man searching for truth and confronting his relationship withWhite Britain.This edition was published to coincide with the world premiere of Death of England: Delroy, at the National Theatre in 2020. The production was the first play to reopen the theatre following the Coronavirus pandemic.

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Breaking Dad - Clint Edwards

Bent Out of Shape But Not Broken (Yet)Bestselling author Clint Edwards clues readers into the (literal) back-breaking work that is being a parent with this all-too-real collection of stories. Like the time he tried to impress his daughter with a double back flip at a trampoline park or when he attempted to run a 5K with his 8-year-old, both of which have left him acutely aware of his own physical limitations. Parenthood can push you to the brink both physically and mentally, but it’s in those moments of hardship where you find the greatest reward. This book perfectly displays this sentiment with essays like Hell is Teaching Your Kiddo How to Read, Enforcing the Rules Turns me From Walter White to Heisenberg, and many other hilariously real stories from the front lines of parenting. With his signature insight and wit, Edwards is sure to show you how to laugh through the tears and appreciate the effort in your exhaustion.

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How the Word Is Passed - Smith Clint

ONE OF BARACK OBAMA''S FAVOURITE BOOKS OF THE YEARA NUMBER ONE NEW YORK TIMES BESTSELLERLONGLISTED FOR THE NATIONAL BOOK AWARD FOR NON-FICTION''A beautifully readable reminder of how much of our urgent, collective history resounds in places all around us that have been hidden in plain sight.'' Afua Hirsch, author of Brit(ish)Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - which offer an intergenerational story of how slavery has been central in shaping a nation''s collective history, and our own.It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our most essential stories are hidden in plain view - whether in places we might drive by on our way to work, holidays such as Juneteenth or entire neighbourhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women and children has been deeply imprinted.How the Word is Passed is a landmark book that offers a new understanding of the hopeful role that memory and history can play in making sense of the United States. Chosen as a book of the year by President Barack Obama, The Economist, Time, the New York Times and more, fans of Brit(ish) and Natives will be utterly captivated.What readers are saying about How the Word is Passed:''How the Word Is Passed frees history, frees humanity to reckon honestly with the legacy of slavery. We need this book.'' Ibram X. Kendi, Number One New York Times bestselling author''An extraordinary contribution to the way we understand ourselves.'' Julian Lucas, New York Times Book Review''The detail and depth of the storytelling is vivid and visceral, making history present and real.'' Hope Wabuke, NPR''This isn''t just a work of history, it''s an intimate, active exploration of how we''re still constructing and distorting our history." Ron Charles, The Washington Post''In re-examining neighbourhoods, holidays and quotidian sites, Smith forces us to reconsider what we think we know about American history.'' Time''A history of slavery in this country unlike anything you''ve read before.'' Entertainment Weekly''A beautifully written, evocative, and timely meditation on the way slavery is commemorated in the United States.'' Annette Gordon-Reed, Pulitzer Prize-winning author

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Clint Eastwood - Ian Nathan

Clint Eastwood is Hollywood’s elder statesman and its conscience. He is the standard by which other films and filmmakers are judged. He represents both classical Hollywood and an entirely modern, uncompromising and unfussy directorial presence. There are those who adore him as a cowboy, a superstar, the rugged, unyielding yet introspective face of American machismo. There are those who read him as a great American auteur fashioning uncompromising, fascinating, intellectual films about his country, about life, about whatever the hell takes his fancy. No single figure in all of Hollywood, operates so freely outside of the strictures of commercial pressure. And yet, or perhaps that is because, he makes hit after hit. Separation of actor and director is almost impossible. They are intimately related, cross pollinating, but he has become in the latter half of his career to be view as one of the great American artists. While drawing connections from his wider work as an actor, and those who have influenced him, it is his identity as a director that this book will celebrate. This is not a career — it is a landscape.

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