agamemnon aeschylus
Agamemnon - Aeschylus
The Greek city of Argos is waiting for word of the triumph during the Trojan War, and a watchman is posted to send out a signal when it does. The Chorus, an assembly of Argive elders, is informed by the Argive queen Clytemnestra that the city has been taken. Mycenaean king Agamemnon returns with Cassandra, a prophetess from Troy. He thanks the gods for keeping him safe and swears to work with the Chorus to build democracy. Cassandra predicts that Clytemnestra would kill her and Agamemnon when she enters the palace to carry out the deed. Regarding the prophetess' visions, the Chorus is hesitant. Cassandra walks inside the palace knowing that she would shortly be put to death. Screams from the palace stop the Chorus as they are going to talk on how destiny is inevitable. Agamemnon and Cassandra were slain by Clytemnestra, who then reappears with blood on her hands. The murder of Agamemnon, according to her, was motivated by retaliation for the sacrifice of their daughter Iphigenia. Agamemnon's cousin Aegisthus makes an appearance, praising the vengeance and defending it as payback for earlier wrongdoings. The Chorus is prepared to die as soon as he exerts his dominance over ... Unknown localization key: "more"
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The Oresteia - Aeschylus
In the Oresteia Aeschylus addressed the bloody chain of murder and revenge within the royal family of Argos. As they move from darkness to light, from rage to self-governance, from primitive ritual to civilized institution, their spirit of struggle and regeneration becomes an everlasting song of celebration. In Agamemnon, a king''s decision to sacrifice his daughter and turn the tide of war inflicts lasting damage on his family, culminating in a terrible act of retribution; The Libation Bearers deals with the aftermath of Clytemnestra''s regicide, as her son Orestes sets out to avenge his father''s death; and in The Eumenides, Orestes is tormented by supernatural powers that can never be appeased. Forming an elegant and subtle discourse on the emergence of Athenian democracy out of a period of chaos and destruction, The Oresteia is a compelling tragedy of the tensions between our obligations to our families and the laws that bind us together as a society. The only trilogy in Greek drama that survives from antiquity, Aeschylus'' The Oresteia is translated by Robert Fagles with an introduction, notes and glossary written in collaboration with W.B. Stanford in Penguin Classics. For more than seventy years, Penguin has been the leading publisher ... Unknown localization key: "more"
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Aeschylus I - Aeschylus
Offers translations of Euripides' "Medea", "The Children of Heracles", "Andromache", and "Iphigenia among the Taurians", fragments of lost plays by Aeschylus, and the surviving portion of Sophocles' "The Trackers". In this title, introductions for each play offer information about its first production, plot, and reception in antiquity and beyond.
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Aeschylus - Jill Dudley
Life of the dramatist Aeschylus and his early work.
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Greek Tragedy - Sofoklés, Eurípidés, Aeschylus
Agememnon is the first part of the Aeschylus''s Orestian trilogy in which the leader of the Greek army returns from the Trojan war to be murdered by his treacherous wife Clytemnestra. In Sophocles'' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father.Medea is the terrible story of a woman''s bloody revenge on her adulterous husband through the murder of her own children.
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The Greek Tragedies - Sofoklés, Eurípidés, Aeschylus
Chicago’s renowned translations of the greatest surviving plays of ancient Greece, collected into a single volume.  Drawn from the authoritative third editions of David Grene and Richmond Lattimore’s collections of the complete Greek tragedies, expertly updated by Mark Griffith and Glenn W. Most, this collection brings together seventeen of the greatest surviving plays of ancient Greece. Combining accuracy, poetic immediacy, and clarity of presentation, the masterpieces of Aeschylus, Sophocles, and Euripides have been rendered so compellingly in English that they remain the definitive translations. Each text has been carefully updated to bring it even closer to the ancient Greek original while retaining the vibrancy for which Chicago’s versions are famous.  Alongside the plays, this edition includes an introduction to the life and work of each tragedian; an introduction to each play offering essential information about its first production, plot, and reception through the centuries; and notes addressing textual uncertainties. Featuring lively translations by eminent classicists and authors including Anne Carson, Robert Fitzgerald, David Grene, Richmond Lattimore, Oliver Taplin, Emily Townsend Vermeule, and Elizabeth Wyckoff, this is an indispensable anthology for any reader of the foundational works of Western drama, art, and life. Â
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The Persians and Other Plays - Aeschylus
Aeschylus (525-456 BC) brought a new grandeur and epic sweep to the drama of classical Athens, raising it to the status of high art. The Persians, the only Greek tragedy to deal with events from recent Athenian history, depicts the final defeat of Persia in the battle of Salamis, through the eyes of the Persian court of King Xerxes, becoming a tragic lesson in tyranny. In Prometheus Bound, the defiant Titan Prometheus is brutally punished by Zeus for daring to improve the state of wretchedness and servitude in which mankind is kept. Seven Against Thebes shows the inexorable downfall of the last members of the cursed family of Oedipus, while The Suppliants relates the pursuit of the fifty daughters of Danaus by the fifty sons of Aegyptus, and their final rescue by a heroic king.
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Aeschylus: Persians
As the earliest surviving European drama, Persians is of incalculable interest to students of ancient literature. This edition offers facing translation, commentary and notes that focus on the visual and aural effects Aeschylus created, his extraordinarily rich imagery, and the play’s unique contribution to Athenian democratic ideology.
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The Oresteian Trilogy - Aeschylus
Aeschylus (525-c.456 bc) set his great trilogy in the immediate aftermath of the Fall of Troy, when King Agamemnon returns to Argos, a victor in war. Agamemnon depicts the hero''s discovery that his family has been destroyed by his wife''s infidelity and ends with his death at her callous hand. Clytemnestra''s crime is repaid in The Choephori when her outraged son Orestes kills both her and her lover. The Eumenides then follows Orestes as he is hounded to Athens by the Furies'' law of vengeance and depicts Athene replacing the bloody cycle of revenge with a system of civil justice. Written in the years after the Battle of Marathon, The Oresteian Trilogy affirmed the deliverance of democratic Athens not only from Persian conquest, but also from its own barbaric past.
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Agamemnon's Daughter - Ismail Kadare
In his compelling prequel to The Successor, Kadare draws us into a land deprived of choice, a country under a reign of terror. The spellbinding Agamemnon''s Daughter was written in Albania in the 1980s and smuggled into France a few pages at a time. It reveals a world where fear is an instrument of power, but the individual survives despite the odds.From the winner of the first Man Booker International Prize comes a searing story of love denied, then shattered under the chilling wheels of the state. Through the impeccably crafted, incisive tale of a thwarted lover''s odyssey through a single day, we are given a true sense of how hard it can be to remain human in a world ruled by fear and suspicion.
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