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Bringing together all the greats—from Air Jordan 1 to Air Presto—Nike and Virgil Abloh reinvent sneaker culture with the collaborative project The Ten and redesign 10 sneaker icons. Experience engineering ingenuity and Abloh’s investigative design process: each shoe is a piece of industrial design, a readymade sculpture, and a wearable all at once. The Sneaker as (Hyper)Object Nike and Virgil Abloh reinvigorate 10 icons of sneaker history In 2016, sportswear manufacturer Nike and fashion designer Virgil Abloh joined forces to create a sneaker collection celebrating 10 of the Oregon-based company’s most iconic shoes. With their project The Ten—which reimagines icons like Air Jordan 1, Air Max 90, Air Force 1, and Air Presto, among others—they reinvigorated sneaker culture. Virgil Abloh’s new designs offer deep insights into engineering ingenuity and burst with cultural cachet. Drawing on the genius of the original shoe using lettering, ironic labels, collage, and sculpting techniques, Abloh plays with language and sculptural elements to construct new meaning. Inspired by the wit of Dadaism, architectural theory, and avant-garde happenings, he analyzes what makes each shoe iconic and deconstructs it into an artistic assemblage, making each shoe into a piece of industrial design, a readymade sculpture, and a wearable all at once.Icons traces Abloh’s investigative, creative process through documentation of the prototypes, original text messages from Abloh to Nike designers, and treasures from the Nike archives. We find Swooshes sliced away from Air Jordans and reapplied with tape or thread, Abloh’s typical text fragments in quotation marks on Air Force 1, and All Stars cut into pieces. We take a look behind the scenes and witness Abloh’s DIY approach, which gives each model in the Off-WhiteTM c/o Nike collection its own unique touch. The book documents Abloh’s cooperative way of working and reaffirms the power of print. For its design Nike and Abloh partnered with the acclaimed London-based design studio Zak Group. Together they conceived a two-part compendium, equal parts catalog and conceptual toolbox. The first part of the book presents a visual culture of sneakers while a lexicon in the second part defines the key people, places, objects, ideas, materials, and scenes from which the project grew. Texts by Nike’s Nicholas Schonberger, writer Troy Patterson, curator and historian Glenn Adamson, and Virgil Abloh himself frame the collaborative work within fashion and design history. A foreword by Hiroshi Fujiwaraplaces the project within the historical continuum of Nike collaborators.

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The essential volume on the great fashion designer, entrepreneur and Louis Vuitton artistic director, back in printThis authoritative Virgil Abloh compendium, created by the designer himself, accompanies his acclaimed landmark 2019â “23 touring exhibition and offers in-depth analysis of his career and his inspirations. More than a catalog, Figures of Speech is a 500-page userâ ™s manual to Abloh s genre-bending work in art, fashion and design.The first section features essays and an interview that examine Ablohâ ™s oeuvre through the lenses of contemporary art history, architecture, streetwear, high fashion and race, to provide insight into a prolific and impactful career that cuts across mediums, connecting visual artists, musicians, graphic designers, fashion designers, major brands and architects. The book also contains a massive archive of images culled from Ablohâ ™s personal files on major projects, revealing behind-the-scenes snapshots, prototypes, inspirations and moreâ ”accompanied by intimate commentary from the artist. Finally, a gorgeous full-color plate section offers a detailed view of Ablohâ ™s work across disciplines.Virgil Abloh (1980â “2021) was a fashion designer and entrepreneur, and the artistic director of Louis Vuitton s men s wear collection from 2018 to 2021. He was also CEO of the Milan-based label Off-White, a fashion house he founded in 2013. Born in Rockford, Illinois, to Ghanaian parents, he entered the world of fashion with an internship at Fendi in 2009 alongside rapper Kanye West. The two began an artistic collaboration that would launch Abloh s career with the founding of Off-White. Time magazine named him one of the 100 most influential people in the world in 2018.

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A thought-provoking collection of quotations from one of the most influential figures in the contemporary art worldHans Ulrich Obrist is one of the most celebrated curators working today and has twice been ranked #1 on ArtReview⠙s annual list of the most important people in the art world. As the primary or lead author of more than forty volumes of interviews with contemporary artists, of numerous exhibition catalogues for museums around the world, and of influential books on curation, he has established himself as a pivotal figure in contemporary art and culture. Drawn from Obrist⠙s writings, interviews, and other sources, Obrist-isms gathers a wealth of fascinating quotations from across his career, offering insights on everything from his approach to curating and his affinity with philosopher Édouard Glissant to his interest in artists⠙ unrealized projects. Obrist-isms is organized into seven thematic sections: Early Years; Curating and Exhibitions; Artists and Conversations; Archiving, Collecting, and Unrealized Projects; Édouard Glissant and Mondialité; On Sleep and Time; Art and the Environment; and Technology and the Future of Art. The book also features an introduction and a brief chronology of Obrist⠙s life and career. ⠜Art is the highest form of hope.⠝⠜The motor, the engine, is curiosity. Curating is connected to curiosity.⠝⠜What is happening outside the museum is just as important as what⠙s happening inside. Make the walls porous. Think beyond exhibitions. Foster alliances.⠝⠜If there was ever a time that the world needed artists, it is now. We need their radical ideas, visions, and perspectives in society.⠝⠜There are many amazing unrealized projects out there: forgotten projects, misunderstood projects, lost projects, desk-drawer projects, poetic-utopian dream projects, unrealizable projects, partially realized projects, censored projects and so on.⠝⠜I believe in generosity as a medium.⠝

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A fun and easy read filled with insight, humor, wisdom, and wit In Hurdle-isms, renowned Major League Baseball player, hitting coach, manager, and current Special Assistant to the General Manager for the Colorado Rockies, Clint Hurdle, delivers a collection of his most inspirational stories. You ll find a ton of funny, insightful, and otherwise notable anecdotes from one of Major League Baseball s most successful personalities. In each chapter, Hurdle also describes the experience, strength, and hope he s gained through his experiences playing, coaching, and managing his way through the MLB, as well as his successes and failures in the league. You ll also discover: Laughter and lessons from Clint Hurdle s storied life in the major leagues, filled with quick wit and pithy humorCoverage of hot topics currently dominating the discussions taking place in professional baseballA fun and illuminating journey through a remarkable experience in the MLB straight from the person who lived it Perfect for baseball fans everywhere, Hurdle-isms is also a can t-miss book for sports enthusiasts looking for a quick and easy read filled with fun, humor, insight, and experience.

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A dazzling collection of quotations from the modern American artist whose mobiles are beloved worldwideCalder-isms is a collection of fascinating, irreverent, and often profound quotations from the influential modern American sculptor Alexander Calder (1898⠓1976), who is most famous for his invention of what his friend Marcel Duchamp dubbed the ⠜mobile.⠝ Often suspended from ceilings, these sculptures feature abstract elements, frequently painted in bold colors, that move and balance in changing harmony. Calder⠙s art was dynamic, unconventional, and filled with vitality⠔qualities also displayed by his words, which combine the wisdom of a philosopher with the ingenuity of a true original. Taken from interviews, writings, and other sources, the quotations in Calder-isms offer memorable insights into Calder⠙s life, mind, and, above all, art. ⠜Why must art be static? You look at an abstraction, sculptured or painted, an intensely exciting arrangement of planes, spheres, nuclei, entirely without meaning. It would be perfect, but it is always still. The next step in sculpture is motion.⠝⠜That visit to Mondrian gave me the shock that converted me. It was like the baby being slapped to make his lungs start working.⠝⠜[A mobile] has no utility and no meaning. It is simply beautiful. It has a great emotional effect if you understand it. Of course if it meant anything it would be easier to understand, but it would not be worthwhile.⠝⠜A title is just like the license plate on the back of a car. You use it to say which one you⠙re talking about.⠝⠜People think monuments should come out of the ground, never out of the ceiling, but mobiles can be monumental too.⠝⠜Bad taste always boomerangs.⠝

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The Eclogues, ten short pastoral poems, were composed between approximately 42 and 39 BC, during the time of the Second Triumvirate of Lepidus, Anthony, and Octavian. In them Virgil subtly blended an idealized Arcadia with contemporary history. To his Greek model - the Idylls of Theocritus - he added a strong element of Italian realism: places and people, real or disguised, and contemporary events are introduced. The Eclogues display all Virgil s art and charm and are among his most delightful achievements. Between approximately 39 and 29 BC, years of civil strife between Antony, and Octavian, Virgil was engaged upon the Georgics. Part agricultural manual, full of observations of animals and nature, they deal with the farmer s life and give it powerful allegorical meaning. These four books contain some of Virgil s finest descriptive writing and are generally held to be his greatest and most entertaining work, and C. Day Lewis s lyrical translations are classics in their own right. ABOUT THE SERIES: For over 100 years Oxford World s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Figurka - soška, postavička, sběratelská, výška 9 cm, materiál vinyl, nepohyblivá Pokud patříte mezi sběratele figurek, které ztvárňují různé postavy ze známých filmů, TV seriálů, videoher a komiksů, pak máte skvělou příležitost, jak opět rozšířit svou sbírku. Čeká na vás sběratelská krabička s figurkou Funko Pop Football: Virgil Van Dijk. V případě, že máte rádi tohoto fotbalistu Liverpoolu, nemáte proč váhat. Figurka je vyrobena z nbsp;kvalitního, měkkého vinylu, je příjemná na dotek a dosahuje výšky 10 cm. Tato postava patřící do série populárních vinylových figurek Funko Pop by neměla v nbsp;žádné sbírce chybět. nbsp;Sběratelská figurka je vhodná pro děti od 3 let. Klíčové vlastnosti nbsp;figurky nbsp;Funko Pop Football: Virgil Van Dijk (Liverpool)Sběratelská krabička obsahující figurku Funko Pop Football: Virgil Van Dijk (Liverpool)Sběratelská vinylová figurka je vysoká 10 cmIdeální dárek pro sběratele figurek Funko PopKvalitní měkká...

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Hudební CD - D'Virgilio, Morse Jennings a jejich album Troika z roku 2022. D'Virgilio, Morse amp; Jennings a jejich album Troika z roku 2022. Rok vydání : 2022 Seznam stop CD Everything I Am / Julia / You Set My Soul On Fire / One Time Less / Another Trip Around The Sun / A Change Is Gonna Come / If I Could / King For A Day / Second Hand Sons / My Guardian / What You Leave Behind / Julia (Alternative Version)

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The Aeneid is Virgil s Masterpiece. His epic poem recounts the story of Rome s legendary origins from the ashes of Troy and proclaims her destiny of world dominion. This optimistic vision is accompanied by an undertow of sadness at the price that must be paid in human suffering to secure Rome s future greatness. The tension between the public voice of celebration and the tragic private voice is given full expression both in the doomed love of Dido and Aeneas, and in the fateful clash between the Trojan leader and the Italian hero, Turnus. Hailed by T.S. Eliot as the classic of all Europe , Virgil s Aeneid has enjoyed a unique and enduring influence on European literature, art and politics for the past two thousand years.

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Virgil s masterpiece and one of the greatest works in all of literature, now in a beautiful clothbound edition designed by Coralie Bickford-SmithVirgil s Aeneid, inspired by Homer and the inspiration for Dante and Milton, is an immortal poem that sits at the heart of Western life and culture. Virgil took as his hero Aeneas, legendary survivor of the fall of Troy and father of the Roman race. In telling a story of dispossession and defeat, love and war, he portrayed human life in all its nobility and suffering, in its physicality and its mystery.

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A collection of fascinating and provocative quotations from the world-renowned performance artistMarina Abramovic is arguably the most important and influential performance artist of our time. For decades, she has broken boundaries in iconic works such as The Artist Is Present (2010), where she sat in silence across from members of the public at the Museum of Modern Art for eight hours a day for three months, and Rhythm 0 (1974), a six-hour performance in which she stood next to a table holding seventy-two objects, including a scalpel and a loaded gun, and a sign suggesting audience members could do to her whatever they wanted. Gathered from interviews, lectures, writings, and other sources, Abramovic-isms is a unique collection of quotations that offers a window into the mind of this iconic trailblazer. ⠜Artists have to be free human beings. They have to have the complete freedom to express their ideas with no restrictions.⠝⠜Our body is an absolute replica of the Universe, and this is why I took to studying myself⠔by studying myself, I can understand everything else and everybody else.⠝⠜Beauty doesn⠙t have a definition. What is important is what moves you.⠝⠜Don⠙t ever call me the grandmother of performance art. Just call me a warrior.⠝

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This is the OCR-endorsed edition covering the Latin AS and A-Level (Group 3) prescription of Virgil s Aeneid Book 2, lines 40â “249 and the A-Level (Group 4) prescription of Book 2, lines 268â “317, 370â “558, giving full Latin text, commentary and vocabulary, with a detailed introduction that also covers the prescribed material to be read in English for A Level. Book II of Virgilâ ™s Aeneid is the story of how Troy fell and how Aeneas escaped with his family and his cityâ ™s gods. It is a narrative relayed in retrospect by Aeneas as a refugee at the court of Queen Dido in Carthage, and the OCR selection covers the bookâ ™s first two thirds: the Wooden Horse episode, and the chaos which ensues â “ including the dramatic murder of King Priam. Virgil depicts war in all its ugly complexity, and Aeneasâ ™ response to this â “ as combatant in Troy, as exile in Carthage â “ is central to the poemâ ™s early exposition.Supporting resources are available on the Companion Website: https://www.bloomsbury.pub/OCR-editions-2024-2026

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Arms and the man I sing of Troy... So begins one of the greatest works of literature in any language. Written by the Roman poet Virgil more than two thousand years ago, the story of Aeneas seven-year journey from the ruins of Troy to Italy, where he becomes the founding ancestor of Rome, is a narrative on an epic scale: Aeneas and his companions contend not only with human enemies but with the whim of the gods. His destiny preordained by Jupiter, Aeneas is nevertheless assailed by dangers invoked by the goddess Juno, and by the torments of love, loyalty, and despair. Virgil s supreme achievement is not only to reveal Rome s imperial future for his patron Augustus, but to invest it with both passion and suffering for all those caught up in the fates of others. Frederick Ahl s new translation echoes the Virgilian hexameter in a thrillingly accurate and engaging style. An Introduction by Elaine Fantham, and Ahl s comprehensive notes and invaluable indexed glossary complement the translation. ABOUT THE SERIES: For over 100 years Oxford World s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A powerful collection of quotations from iconic artist and activist Yoko OnoOno-isms is a collection of provocative and powerful quotations from influential artist, musician, songwriter, and peace activist Yoko Ono, providing a richer understanding of this important cultural icon. Since emerging on the international art scene in the early 1960s, Ono has made profound contributions to visual and performance art, filmmaking, and music in work that often radically questions the division between art and the everyday. In recent years she has embraced social media to communicate her artistic and activist messages to even broader audiences around the world.Gathered from interviews, books, song lyrics, social media, and other sources, this nuanced book sheds new light on a complex and multifaceted artist who has shaped our culture in countless ways. The quotations—close to 300 in all—are arranged by subject: art, life, creativity, nature and the environment, love, music, women in society, and peace and social justice. The book also features an introduction and a chronology of Ono’s life and work.“I’ve never seen a line between music and art and performance. And that’s a problem for some people.”“I think that all women are witches, in the sense that a witch is a magical being. And a wizard, which is a male version of a witch, is kind of revered, and people respect wizards. But a witch, my god, we have to burn them.”“I think if you have a persona you show the world that’s separate from your true personality, the strain becomes too much. What [John Lennon and I] decided was just to be ourselves. We didn’t have a conference about it or anything. It’s just the most relaxing way to be.”“I can take hatred, because I don’t believe that people are capable of real hate. We are too lonely for that. We vanish too quickly for that. Do you ever hate a cloud?”“Concentrate your mind on giving, loving, and thanking. Each time you give, you are in less pain. Give as much as you can. Find something you can love. Love as much as you can. Thank as much as you can.”

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Robert Fagles s award-winning translations of Homer s twin works The Iliad and The Odyssey have sold more than a million copies and become classics in their own right. With this stunning modern verse translation, Fagles introduces Virgil s Aeneid to a whole new generation of readers and completes the classic triptych at the heart of Western civilisation. The Aeneid tells the story of an epic voyage in which Aeneas crosses stormy seas, becomes entangled in a tragic love affair with Dido of Cathage, descends to the world of the dead - all the way tormented by the vengeful Juno, Queen of the Gods - and finally reaches Italy, where he will fulfil his destiny: to found the Roman people. A stirring tale of arms and heroism, dispossession and defeat, and an unsparing portrait of a man caught between love, duty, and fate, The Aeneid brings to life a whole world of human passion, nobility, and courage. Fagles s new translation retains all of the gravitas and humanity of the original as well as its powerful blend of poetry and myth. Featuring an illuminating introduction to Virgil s world from noted scholar Bernard Knox, this new Aeneid lends a vibrant, contemporary voice to the literary achievement of the ancient world.

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Finalist for the Los Angeles Times Book PrizeFinalist for the PEN / Faulkner Award for FictionPercival Everett by Virgil Russell is a story inside a story inside a story. A man visits his ageing father in a nursing home, where his father writes the novel he imagines his son would write. Or is it the novel that the son imagines his father would imagine, if he were to imagine the kind of novel the son would write?Not only is Percival Everett by Virgil Russell a powerful, compassionate meditation on old age and its humiliations, it is an ingenious culmination of Everettâ ™s recurring preoccupations. All of his prior work, his metaphysical and philosophical enquiries, his investigations into the nature of narrative, have led to this masterful book.Part of the Picador Collection, a series celebrating fifty years of Picador books and showcasing the best of modern literature.Read Percival s Booker Prize-shortlisted novel James in paperback now.

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A collection of compelling quotations from JR⠔the renowned French photographer, street artist, and activistJR is perhaps best known for taking portraits of regular people, reproducing the images at a monumental scale, and pasting them on the sides of buildings in the subjects⠙ neighborhoods. Among his many other notable projects are a gigantic photo of a child peering over the top of the barrier at the US-Mexico border and an enormous mural of inmates that covers the ground of an outdoor exercise yard at a California prison. Collected from interviews, writings, and other sources, JR-isms is an inspiring and thought-provoking collection of quotations from the exciting artist and activist, whose work reaches far beyond the traditional art world, from the streets of New York to the suburbs of Paris and the favelas of Brazil. ⠜I was writing my names on walls to say ⠘I exist,⠙ then I started pasting pictures of people with their names to say they exist.⠝⠜Art is not supposed to change the world. It can offer a new perspective, a new look, break down the walls we build between us, and humanize the ⠘other.⠙ ⠝⠜I always make sure in my art that I even confront my own perspective.⠝⠜You know what they say, that the criminal always goes back to the crime scene? It works the same for the artist. When you do something in the street, you come back to see how people approach it. No one knows it⠙s you, but you⠙re right there.⠝

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After a century of civil strife in Rome and Italy, Virgil wrote the Aeneid to honour the emperor Augustus by praising his legendary ancestor Aeneas. As a patriotic epic imitating Homer, the Aeneid also set out to provide Rome with a literature equal to that of Greece. It tells of Aeneas, survivor of the sack of Troy, and of his seven-year journey: to Carthage, where he falls tragically in love with Queen Dido; then to the underworld,; and finally to Italy, where he founds Rome.It is a story of defeat and exile, of love and war, hailed by Tennyson as the stateliest measure ever moulded by the lips of man .

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Aeneas the True - son of Venus and of a mortal father - escapes from Troy after it is sacked by the conquering Greeks. He undergoes many trials and adventures on a long sea journey, from a doomed love affair in Carthage with the tragic Queen Dido to a sojourn in the underworld. All the way, the hero is tormented by the meddling of the vengeful Juno, Queen of the Gods and a bitter enemy of Troy, but his mother and other gods protect Aeneas from despair and remind him of his ultimate destiny - to found the great city of Rome. Reflecting the Roman peoples great interest in the myth of their origins, Virgil (70-19 BC) made the story of Aeneas glow with a new light in his majestic epic.

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This reader of Virgil s text features passages from the first half of the Aeneid and is designed to help students understand and appreciate Virgilâ ™s poem, as well as improve their Latin reading skills. Each Latin passage is accompanied by running vocabulary, on-page commentary notes and targeted questions. The book can be used as a source of one-off unseen passages or as a reader for students working through individual books or the whole poem. The commentary notes explain references to characters, places and events, provide linguistic and grammatical help on more challenging Latin phrases, and point out stylistic features. The questions test studentsâ ™ comprehension of the characters and storyline, and give them practice in handling literary terms. The passages are linked by summaries of the continuing plot, so students can grasp the progression of the poem as a whole. An in-depth introduction sets the story of the Aeneid in its mythological, literary and historical contexts; a glossary of literary devices and sections on style and metre are included. At the end of the book is a complete alphabetical vocabulary list.

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