a cultural history of chemistry in the eighteenth century

** A Cultural History of Chemistry: Volumes 1-6 is a 2023 CHOICE Outstanding Academic Title ** A Cultural History of Chemistry in the Eighteenth Century covers the period from 1700 to 1815. Setting the progress of science and technology in its cultural context, the volume re-examines the changes that many have considered to constitute a "chemical revolution". Already boasting a laboratory culture open to both manufacturing and commerce, the discipline of chemistry now extended into academies and universities. Chemists studied myriad materials - derived from minerals, plants, and animals - and produced an increasing number of chemical substances such as acids, alkalis, and gases. New textbooks offered opportunities for classifying substances, rethinking old theories and elaborating new ones. By the end of the period – in Europe and across the globe - chemistry now embodied the promise of unifying practice and theory. The six-volume set of the Cultural History of Chemistry presents the first comprehensive history from the Bronze Age to today, covering all forms and aspects of chemistry and its ever-changing social context. The themes covered in each volume are theory and concepts; practice and experiment; laboratories and technology; culture and science; society and environment; trade and industry; learning ... Unknown localization key: "more"

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** A Cultural History of Chemistry: Volumes 1-6 is a 2023 CHOICE Outstanding Academic Title ** A Cultural History of Chemistry in the Nineteenth Century covers the period from 1815 to 1914 and the birth of modern chemistry. The elaboration of atomic theory - and new ideas of periodicity, structure, bonding, and equilibrium - emerged in tandem with new instruments and practices. The chemical industry expanded exponentially, fuelled by an increasing demand for steel, aluminium, dyestuffs, pharmaceuticals, and consumer goods. And the chemical laboratory became established in its two distinct modern settings of the university and industry. At the turn of the century, the discovery of radioactivity took hold of the public imagination, drawing chemistry closer to physics, even as it threatened to undermine the whole concept of atomism. The six-volume set of the Cultural History of Chemistry presents the first comprehensive history from the Bronze Age to today, covering all forms and aspects of chemistry and its ever-changing social context. The themes covered in each volume are theory and concepts; practice and experiment; laboratories and technology; culture and science; society and environment; trade and industry; learning and institutions; art and representation. Peter J. Ramberg is Professor of the History ... Unknown localization key: "more"

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** A Cultural History of Chemistry: Volumes 1-6 is a 2023 CHOICE Outstanding Academic Title ** A Cultural History of Chemistry in the Early Modern Age covers the period from 1500 to 1700, tracing chemical debates and practices within their cultural, social, and political contexts. This era in the history of chemistry was notable for natural philosophy, scientific discovery, and experimental method, and also as the high point of European alchemy - exemplified by the immensely popular writings of Paracelsus. Developments in the chemistry of metallurgy, medicine, distillation, and the applied arts encouraged attention to materials and techniques, linking theoretical speculation with practical know-how. Chemistry emerged as an academic discipline - supported by educational texts and based in classroom and laboratory instruction – and claimed a public place. The six-volume set of the Cultural History of Chemistry presents the first comprehensive history from the Bronze Age to today, covering all forms and aspects of chemistry and its ever-changing social context. The themes covered in each volume are theory and concepts; practice and experiment; laboratories and technology; culture and science; society and environment; trade and industry; learning and institutions; art and representation. Bruce T. Moran is Professor of History and University ... Unknown localization key: "more"

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The long 19th century—stretching from the start of the American Revolution in 1776 to the end of World War I in 1918—was a pivotal period in the history of disability for the Western world and the cultures under its imperial sway. Industrialization was a major factor in the changing landscape of disability, providing new adaptive technologies and means of access while simultaneously contributing to the creation of a mass-produced environment hostile to bodies and minds that did not adhere to emerging norms. In defining disability, medical views, which framed disabilities as problems to be solved, competed with discourses from such diverse realms as religion, entertainment, education, and literature. Disabled writers and activists generated important counternarratives, made increasingly available through the spread of print culture.An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in the Long Nineteenth Century includes chapters on atypical bodies, mobility impairment, chronic pain and illness, blindness, deafness, speech dysfluencies, learning difficulties, and mental health, with 37 illustrations drawn from period sources.

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A Cultural History of Peace presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of peace throughout history.This volume, A Cultural History of Peace in the Age of Empire, explores peace in the period from 1800 to 1920. As with all the volumes in the illustrated Cultural History of Peace set, this volume presents essays on the meaning of peace, peace movements, maintaining peace, peace in relation to gender, religion and war and representations of peace.A Cultural History of Peace in the Age of Empire is the most authoritative and comprehensive survey available on peace in the long 19th century.

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“A thick, tangled and deliciously idiosyncratic history of hair.” Times Literary SupplementThe Middle Ages were a time of great innovation, artistic vigor, and cultural richness. Appearances mattered a great deal during this vibrant era and hair was a key marker of the dynamism and sophistication of the period. Hair became ever more central to religious iconography, from Mary Magdalen to the Virgin Mary, while vernacular poets embellished their verses with descriptions of hairstyles both humble and elaborate, and merchants imported the finest hair products from great distances.Drawing on a wealth of visual, textual and object sources, the volume examines how hairstyles and their representations developed—often to a degree of dazzling complexity—between the years AD 800 and AD 1450. From wimpled matrons and tonsured monks to adorned noblewomen, hair is revealed as a potent cultural symbol of gender, age, sexuality, health, class, and race.Illustrated with approximately 80 images, A Cultural History of Hair in the Middle Ages brings together leading scholars to present an overview of the period with essays on politics, science, religion, fashion, beauty, the visual arts, and popular culture.

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The 16th and 17th centuries in Europe witnessed a significant paradigm shift: the exploration so characteristic of the period stemmed from religious motives but came to be propelled by commerce and curiosity as Europeans increasingly engaged with the rest of the world. Interiors in both public and private spaces changed to reflect these cultural encounters and, with them, the furniture with which they were populated. Visually, furniture of this period displayed new designs, forms, and materials. In its uses, it also mirrored developments in science, technology, government and social relationships as prints became more widely distributed, the Wunderkammer developed and there was religious strife and resistance to absolute monarchical rule. Drawing upon a wealth of visual and textual sources, this volume of A Cultural History of Furniture presents essays that examine key characteristics of the furniture of the period on the themes of design and motifs; makers, making, and materials; types and uses; the domestic setting; the public setting; exhibition and display; furniture and architecture; visual representations; and verbal representations.

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“A thick, tangled and deliciously idiosyncratic history of hair.” Times Literary SupplementOver the last century, there has been a revolution in self-presentation and social attitudes towards hair. Developments in mass manufacturing, advances in chemical science and new understandings of bodies and minds have been embraced by new kinds of hairdressers and their clientele and embodied in styles that reflect shifting ideals of what it is to be and to look modern. The emergence of the ladies hairdressing salon, the rise of the celebrity stylist, the impact of Hollywood, an expanding mass media, and a new synergy between fashions in clothing and hairstyles have rippled out globally. Fashions in hair styles and their representation have taken on new meanings as a way of resisting dominant social structures, experimenting with social taboos, and expressing a modern sense of self. From the 1920s bob to the punk cut, hair has continued to be deeply involved in society’s larger issues.Drawing on a wealth of visual, textual and object sources, and illustrated with 75 images, A Cultural History of Hair in the Modern Age presents essays that explore how politics, science, religion, fashion, beauty, the visual arts, and popular culture have reshaped modern hair and ... Unknown localization key: "more"

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The 19th century in Western culture was a time of both confidence and turbulence. Industrial development produced a growing middle class as well as efficiency, convenience, and innovation across a range of fields from engineering to architecture. Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world. Slavery was abolished and urbanization increased dramatically. These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization as ''industrial art'' at the international exhibitions and world fairs and the increasingly adventurous range of materials that were sometimes used in their construction. Nonetheless, a strong antiquarian/historicist strand also prompted interest in the revival of past styles in areas of art and design, including furniture. Drawing upon a wealth of visual and textual sources, this volume of A Cultural History of Furniture presents essays that examine key characteristics of the furniture of the period on the themes of design and motifs; makers, making, and materials; types and uses; the domestic setting; the public setting; exhibition and display; furniture and architecture; ... Unknown localization key: "more"

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Furniture is a unique witness to the transformations of private and public experience amidst the upheavals of the 20th century: how we work, rest, and play are determined by the embodied encounter with furniture, defining and projecting a sense of identity and status, responding to and exemplifying contrasting social conditions, political and economic motivations, aesthetic predilections, and debates. Assessing physical and archival evidence drawn from a spectrum of iconic and under-represented case studies, an international team of design historians collaborate in this volume to explore key methodological questions about how the production, consumption, and mediation of furniture reveal shifting cultural habits and histories across diverse contexts amidst modernity. Drawing upon a wealth of visual and textual sources, this volume of A Cultural History of Furniture presents essays that examine key characteristics of the furniture of the modern period on the themes of design and motifs; makers, making, and materials; types and uses; the domestic setting; the public setting; exhibition and display; furniture and architecture; visual representations; and verbal representations.

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The 18th century saw the height of court culture in Europe as well as the beginnings of its demise with conflicts such as the American and French Revolutions. The Scientific Revolution, which had begun in the preceding centuries, also ushered in a new intellectual era which advocated the use of reason to effect change in government and to advance progress in society. For furniture, this meant ever-higher standards of luxury in the designs, techniques and materials utilized for the best pieces, and more structure and specialization in the furniture-making process itself. Furniture also came into its own during this period as a collectable work of art on its own merits. Drawing upon a wealth of visual and textual sources, this volume of A Cultural History of Furniture presents essays that examine key characteristics of the furniture of the period on the themes of design and motifs; makers, making, and materials; types and uses; the domestic setting; the public setting; exhibition and display; furniture and architecture; visual representations; and verbal representations.

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Historical studies of genocide in the 20th century trace the roots back to the sociopolitical, economic, and cultural developments of the early modern period. From globalization to urbanization, to imperialism, state formation and homogenization, from religious warfare to enlightenment, to racism: many factors connected with genocide first emerged or vastly developed between the 15th and 18th centuries. While the early modern period did not have a crime of genocide, it possessed its own legal system which contemplated the rightful destruction of whole peoples, and a political culture that sanctioned the use of mass violence. As a result, early modern genocide has been denied or blurred as a regrettable side effect of the global circulation of ideas, goods, and peoples, and the creation of new societies, cultures, and languages arising from it.This collection looks at the different genocides which unfolded around the globe, emphasizing its gendered dimension and its disproportionate and enduring impact on indigenous populations. Although European imperialism and homogenization play a central role, it aims more widely to cover the principal agents, victims and rationale for genocide in the early modern world. As a whole, this volume aims at fostering the debate on the early modern history of genocide, ... Unknown localization key: "more"

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French philosopher Jean-Jacques Rousseau wrote, ‘the general effect of the theatre is to strengthen the national character to augment the national inclinations, and to give a new energy to all the passions’. During the Enlightenment, the advancement of radical ideas along with the emergence of the bourgeois class contributed to a renewed interest in theatre’s efficacy, informed by philosophy yet on behalf of politics. While the 18th century saw a growing desire to define the unique and specific features of a nation’s drama, and audiences demanded more realistic portrayals of humanity, theatre is also implicated in this age of revolutions. A Cultural History of Theatre in the Age of Enlightenment examines these intersections, informed by the writings of key 18th-century philosophers. Richly illustrated with 45 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

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The Middle Ages were marked by dramatic social, economic, political, and religious changes. Diverse regional and local conditions, and varied social classes - including peasant, artisan, merchant, clergy, nobility, and rulers - resulted in differing needs for furniture. The social settings for furniture included official and private residences both grand and humble, churches and monasteries, and civic institutions, including places of governance and learning, such as municipal halls, guild halls, and colleges. This volume of A Cultural History of Furniture explores how furniture contributed to the social fabric within these varied spaces. The chronological range of this volume extends from the fall of the Roman Empire through to the early Renaissance, a period which exhibited a wide array of types, styles, and motifs, including Byzantine, Romanesque, Gothic, and Renaissance. Rural and regional styles of furniture are also considered, as well as techniques of furniture manufacture. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of design and motifs; makers, making, and materials; types and uses; the domestic setting; the public setting; exhibition and display; furniture and architecture; visual representations; and verbal representations.

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For both producers and consumers of theatre in the early modern era, art was viewed as a social rather than an individual activity. Emerging in the context of new capitalistic modes of production, the birth of the nation state and the rise of absolute monarchies, theatre also proved a highly mobile medium across geolinguistic boundaries. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1400 to 1650, and examines the socioeconomically heterodox nature of theatre and performance during this period. Highly illustrated with 48 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

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The preamble to the United Nations Convention on the Prevention and Punishment of the Crime of Genocide recognizes “that at all periods of history genocide has inflicted great losses on humanity”. Studies of the phenomenon of genocide have, however, tended to concentrate on the modern world. The original contributions in this volume turn the focus to the question of genocide and mass violence in the ancient world, with a particular emphasis on the worlds of Greece, Rome and the Near East. This volume presents a range of views on the challenges of applying the modern concept of “genocide” to an ancient context. It also considers the causes, motivations, and justifications of ancient mass violence, as well as contemporary responses to, and critiques of, such violence, along with how mass violence was represented and remembered in ancient literature and iconography. In addition, chapters analyse what drove the perpetrators of mass violence, and the processes of victimization, as well as the consequences of mass violence and ravaging warfare, including in particular mass enslavement and sexual violence.

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The period between the two World Wars was characterized by an acceleration of mass violence across the world. Developments in technology, communications, ideology, global political and economic integration, and the organization of society greatly expanded the power and reach of states while radicalizing ideologies of domination and control. Two major 20th-century genocides, the Armenian Genocide in the Ottoman Empire and the Nazi Holocaust of European Jews, are the terrible bookends of this period; they were preceded and informed by colonial genocides, such as the genocide of Herero and Nama peoples in German South West Africa from 1904 -1914, and by ongoing genocidal processes, especially in settler colonies such as the United States, Canada, and Australia, in the renewed Russian empire under the USSR after 1917, and in the expanding Japanese empire between the wars. The essays in this volume examine the dynamics of genocide during this period, when states could draw on new technologies, new identities, and new global ideologies of control to amplify the speed, size, and impact of their destructive impulses towards unwanted populations. The chapters demonstrate the lasting consequences of genocidal processes on the world today, not simply for survivor communities and survivor diasporas, but also on ... Unknown localization key: "more"

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A fascinating journey through Western art from the 1910s to the 1960s, charting how artists wrestled with the headlong changes of a turbulent and conflict-ridden world From the chaos of the First World War to the ravages of the Second, from the Great Depression to the rise of consumer culture, artists we call “modern” faced the challenge of responding imaginatively to utterly new circumstances of life. Original thought, startling artistic techniques, and new attitudes to experimentation were required to produce exceptional and timely work.Make It Modern guides the reader through the art of the modern world. Works of celebrated artists, from Pablo Picasso and Wassily Kandinsky to Frida Kahlo, Jackson Pollock, and Yayoi Kusama, alongside a panoply of undervalued or less-known figures, populate this decade-by-decade narrative. Make It Modern tells an unforgettable story of how art was changed forever.

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Kniha - autor Thomas Harding, anglicky, brožovaná bez přebalu matná A personal and panoramic new history of Germany in the 20th century, by the author of "Hanns & Rudolf". Reveals the story of the country through the inhabitants of one small wooden building. Now in paperback. 'A passionate memoir about Germany.' Neil MacGregor

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A celebration of the richness of figurative painting over the last 100 years and a passionate critique of the accepted history of art in the 20th century. Figurative painting is due a reappraisal. In this passionately argued volume the distinguished writer and artist Timothy Hyman cuts a new path through the tangle of twentieth-century art. The World New Made explores the work of more than fifty individual painters, presenting a collective ‘Resistance’ who together offer a human-centred alternative to the dominance of the Abstract or the Conceptual in conventional narratives of modern art. Structured not as a survey but as in-depth studies of more than 130 specific artworks, this lavishly illustrated book brings these often marginalized artists centre-stage: not just Alice Neel and Balthus, Max Beckmann and Frida Kahlo, but also Marsden Hartley and Charlotte Salomon, Bhupen Khakhar and Jacob Lawrence. A rich cast is brought to life, partly through their own writings. As the author argues, ‘All across the world, isolated artists found new idioms for human-centred painting in the midst of modern life.’

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A newly edited collection of the seminal writings and speeches of a legendary writer, orator, and civil rights leader.The life of Frederick Douglass is nothing less than the history of America in the 19th century from slavery to reconstruction. His influence was felt in the political sphere, major social movements, literary culture, and even international affairs. His resounding words tell not only his own remarkable story, but also that of a burgeoning nation forced to reckon with its tremulous moral ground. This compact volume offers a full course on a necessary historical figure, giving voice once again to a man whose guiding words are needed now as urgently as ever. The Portable Frederick Douglass includes the full range of Douglass''s writings, from autobiographical writings that span from his life as a slave child to his memories of slavery as an elder statesman in the late 1870s; his protest fiction (one of the first works of African American fiction); his brilliant oratory, constituting the greatest speeches of the Civil War era, which launched his political career; and his journalistic essays that range from cultural and political critique toart, literature, law, history, philosophy, and reform.

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Kidnapped - Catriona - The Master of Ballantrae - Weir of HermistonThese four great novels take us deep into Robert Louis Stevenson''s imaginative and bitter-sweet relationship with his native country.Kidnapped, and its sequel Catriona, are renowned the world over as supreme stories of adventure and romance. On another level they also explore the subtle divisions of Scottish history and character in the eighteenth century, and (some would say) the present day.The Master of Ballantrae takes a darker and more disturbing turn, with its tale of rival brothers caught in a webof hatred, obsession, love and betrayal which draws them to their end in the frozen wastes of North America.Stevenson''s fascination with the divided nature of the human self (most obviously demonstrated in Dr Jekyll and Mr Hyde) appears again in the Weir of Hermiston with its terrible confrontation between a father and his son.With an unsurpassed combination of physical adventure and psychological insight, The Scottish Novels have moved and thrilled readers and writers from Stevenson''s contemporaries to the present day.

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Infantry in Battle rewrites the story of combat in the eighteenth century by placing enlisted infantrymen and their experiences at centre stage. While popular memory and film portray these men as robotic automata they fought in flexible and adaptable ways, and they left their mark on eighteenth-century warfare.In Infantry in Battle, Dr Alexander S. Burns provides a new understanding of combat during the mid-eighteenth century: the pivotal period between 1733 and 1783. Professor Burns argues that eighteenth-century soldiers informally negotiated authority with their officers on the battlefield by firing without orders, firing at longer ranges than their officers preferred, and by taking cover on the battlefield. In this process, these enlisted men played an important role by asserting tactical reforms from below.Infantry in Battle is grounded in archival research on the American, British, and Prussian armies. However, it also covers the armies of military Europe more broadly, and includes writings from Austrian, French, Italian, Polish, Russian, Spanish, and Swedish soldiers. It is also the first English-language book to utilize archival material on battles from the War of Polish Succession in Northern Italy.Infantry in Battle is a scholarly monograph, but one written with a popular audience in mind. Like his mentor, ... Unknown localization key: "more"

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Travel for pleasure developed greatly in the 18th century, and here Jeremy Black examines travel on the Continent, the so-called "Grand Tour". He considers not only the standard destinations of France and Italy, but also the Low Countries, Germany, Switzerland and the Balkans. The modes of transport are described in detail, along with the range of accommodation, the food and drink, the pleasures and the hazards of travel, ranging from sex and sensibility to debt and dysentery, as well as the effects of the French Revolution on the British tourist. Jeremy Black includes extensive quotations from eighteenth-century tourist correspondence, including neglected manuscript collections, to build up a vivid and frequently amusing picture of travel experiences of British aristocrats on the continent.

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Real Lives in the Eighteenth Century presents a global history using four sets of biographies to illustrate corresponding situations in different geographical regions.

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Though there was not even a word for, or a concept of, disability in Antiquity, a considerable part of the population experienced physical or mental conditions that put them at a disadvantage. Drawing on a wide variety of sources, from literary texts and legal sources to archaeological and iconographical evidence as well as comparative anthropology, this volume uniquely examines contexts and conditions of disability in the ancient world. An essential resource for researchers, scholars and students of history, literature, culture and education, A Cultural History of Disability in Antiquity explores such themes and topics as: atypical bodies; mobility impairment; chronic pain and illness; blindness; deafness; speech; learning difficulties; and mental health.

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Covering the period from 2500 BCE to the Byzantine Era, this volume in A Cultural History of Furniture focuses on the social history of furniture found in houses, tombs, and temples as narrated through the archaeological evidence. The earliest furniture can be seen as an attempt by humans to enhance their safety, comfort, and social standing but it can also offer opportunities for understanding human behavior, values, and thought: fine furniture was among the most valuable of possessions in the ancient world so it expressed power, wealth, and status. It was appreciated as art, used in diplomacy (both as a gift and as tribute), and recorded as booty. At the same time, its practical and ceremonial uses yield important clues about the domestic environment and daily life in antiquity, as well as revealing aspects of sacred belief and funerary practices.Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the ancient period on the themes of design and motifs; makers, making, and materials; types and uses; the domestic setting; the public setting; exhibition and display; furniture and architecture; visual representations; and verbal representations.

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Marriage, across cultures, is often defined as a union between consenting adults that lasts for the life of the partners. But is marriage a blessing, or curse? Does marriage represent the union of two hearts, or was it a necessary evil? Did matrimony bring a person a helpmeet for life, or was it a societally approved state entered into to improve one’s social standing and produce legitimate heirs? The authors of this volume show that the peoples of the ancient Mediterranean were divided on all of these questions, and reveal ancient Greek and Roman opinions on marriage that were as varied and complex as they are today. Readers will discover in this book that ancients juggled multiple ideas that to the modern eye may appear to be contradictory. Thus, for example, Greek and Roman wives were expected to come to their grooms spotless virgins, while Greek and Roman husbands could enjoy multiple partnerships outside the marital union. Guided by our experts, we take an extensive journey through time and space, encountering evidence from such sources as diverse as Hammurabic law codes, Egyptian papyri, Greek epic and tragedy, Roman inscriptions and writings on the lives of early Christians. Applying innovative approaches ... Unknown localization key: "more"

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The Rebirth of Antisemitism in the 21st Century is about the rise of antizionism and antisemitism in the first two decades of the 21st century, with a focus on the UK.It is written by the activist-intellectuals, both Jewish and not, who led the opposition to the campaign for an academic boycott of Israel. Their experiences convinced them that the boycott movement, and the antizionism upon which it was based, was fuelled by, and in turn fuelled, antisemitism. The book shows how the level of hostility towards Israel exceeded the hostility which is levelled against other states. And it shows how the quality of that hostility tended to resonate with antisemitic tropes, images and emotions. Antizionism positioned Israel as symbolic of everything that good people oppose, it made Palestinians into an abstract symbol of the oppressed, and it positioned most Jews as saboteurs of social ‘progress’. The book shows how antisemitism broke into mainstream politics and how it contaminated the Labour Party as it made a bid for Downing Street.This book will be of interest to scholars and students researching antizionism, antisemitism and the Labour Party in the UK.

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Kent boasts an incredibly varied landscape. From the metropolis of London and the industrialised Thames Estuary, the county then unfolds into “The Garden of England” with its rolling hills, distinctive oast houses and iconic landmarks like the white cliffs. Kent also has its fair share of railway interest, as most of its lines survived the closures of the 20th century, HS1 now speeds its way to the English Channel and it has a diverse collection of heritage railways. Highly accomplished railway photographer and author David Staines explores the region’s railways across the first 25 years of the 21st century using more than 180 superb images that feature a surprisingly varied selection of traction. The photographs are complemented by extensive captions which are packed full of historical, social and railway-related information. 128 pages. A4 size.

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This book presents a sweeping overview of the historical and philosophical foundations of schooling in the United States. Beginning with education among the indigenous peoples of the Americas and going on to explore European models of schooling brought into the United States by European colonists, the author carefully traces the arc of educational reform through major episodes of the nation''s history. In doing so, Janak establishes links between schools, politics, and society to help readers understand the forces impacting educational policy from its earliest conception to the modern day. Chapters focus on the philosophical, political, and social concepts that shaped schooling of dominant and subcultures in the United States in each period. Far from being merely concerned with theoretical foundations, each chapter also presents a snapshot of the "nuts and bolts" of schooling during each period, examining issues such as pedagogical devices, physical plants, curricular decisions, and funding patterns.

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Kniha - autor Renáta Fučíková, 196 stran, anglicky, Pevná, plátěný potah - autor Renáta Fučíková, 196 stran, anglicky, pevná, plátěný potah Czech immigrants traveled to the unknown beyond the Atlantic in several waves. Some came to America in search of religious and political freedom, while others simply sought a better life in a country of great opportunities. Today we know that without their involvement, independent Czechoslovakia would hardly have come to exist, and without the assistance of the United States, the Czech lands would have twice recovered from totalitarianism only with great difficulty. In Bohemian Stories, Renáta Fučíková presents a graphic journey through the history of Czechs in the United States, capturing the bonds between the two countries through their lived experience. Short texts and vivid illustrations detail the fates of the cartographer Martin Bohemus, the rebel Vojta Náprstek, the Freethinker Ladimír Klácel; reveal the stories...

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This book explores the life courses of children born of warin different twentieth-century conflicts, from the Second World War to theRwandan Genocide and the LRA conflict. It is based on extensive archivalresearch, as well as oral history and participatory research methods, to addthe voices of the children born of war to historical analysis. -- .

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Using wide-ranging evidence, Martyn Whittock shines a light on Britain in the Middle Ages, bringing it vividly to life in this fascinating new portrait that brings together the everyday and the extraordinary.Thus we glimpse 11th-century rural society through a conversation between a ploughman and his master.The life of Dick Whittington illuminates the rise of the urban elite. The stories of Roger ''the Raker'' who drowned in his own sewage, a ''merman'' imprisoned in Orford Castle and the sufferings of the Jews of Bristol reveal the extraordinary diversity of medieval society. Through these characters and events - and using the latest discoveries and research - the dynamic and engaging panorama of medieval England is revealed.

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Study of one of the most influential aristocratic families of medieval England.

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What should or could cultural studies look like in the 21st Century? New Cultural Studies is both an introductory reference work and an original study which explores some of the most exciting new directions currently being opened up in cultural studies. A new generation has begun to emerge from the shadow of the Birmingham School: a generation who have turned to theory as a means to think through some of the crucial problems and issues in contemporary culture. New Cultural Studies: Adventures in Theory collects for the first time the ideas of this generation and explains just why theory continues to be crucial for cultural studies. The book explores theoryÂ’s past, present and most especially future role in cultural studies. It does so by providing an authoritative and accessible guide, for students and researchers alike, to:*some of the most interesting members of this ''post-Birmingham school'' generation *the thinkers and theories currently influencing new work in cultural studies: Agamben, Badiou, Deleuze, Derrida, Hardt and Negri, Kittler, Laclau, Levinas, Zizek*the new territories being mapped out across the intersections of cultural studies and cultural theory: anti-capitalism, ethics, the posthumanities, post-Marxism, new media technologies, the transnational.

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Selected and Edited with an Introduction and Notes by David Blair, University of Kent at Canterbury.Late in the eighteenth century authors began to write ‘Gothic’ stories as a way of putting literature back in touch with the irrational, the supernatural and the bizarre, which had been neglected in the ‘Age of Reason’.This superb new collection brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales from the period in which Gothic diversified into the familiar forms of the ghost- and-horror-story. Work by writers such as Poe, Dickens, Hawthorne, Gaskell and M. R. James appears alongside that of anonymous writers from the start of the period and many lesser-known authors from Britain and America. Some of these stories, like the haunting ‘The Lame Priest’ are ‘lost masterpieces’ and several have never been anthologised before. Together they cover the spectrum of Gothic story-telling – tales of madness and violence, of shape-shifters and spectres, that express some of the deepest fears of the human mind – insanity, sexuality, death and the often terrible power of the past to catch up with the present.In a lively, authoritative introduction David Blair provides fresh insights and a detailed ... Unknown localization key: "more"

Objev podobné jako Of The Night - Blair David

The French Revolution was a period of radical political and societal change in the eighteenth century. Everyone knows about the guillotine and the grisly processions of tumbrils, but less is generally appreciated about the much greater violence in provincial France. This book examines the beliefs and assumptions about the French Revolution which have become popularised in films and novels but also accepted in standard accounts to see if they stand up to scrutiny. There is no attempt to deny the intense drama of the whole revolutionary period but rather to separate myth and reality. There are chapters on the development of the constitutional monarchy and its failure and also on the tragic period of the Terror which for many is the most characteristic period. The role of women in this period is one of huge turmoil as well as the impact of the Revolution on the French colonies and in particular Saint-Domingue in the West Indies. This book looks at the leading figure in the Haitian Revolution, Toussaint Louverture, with some myths being challenged and attempts to reach a realistic judgement as well as exploring some of the vivid, if at times horrifying, events of this key part of the ... Unknown localization key: "more"

Objev podobné jako The Real Story of the French Revolution - Mike Wells

The unknown father of the modern MissionPierre Lambert de la Motte was born in Normandy in 1624 into a pious noble family. After studying law, and a brief but distinguished career in civil administration, he entered the Congregation of the Assumption, a lay association. In 1657, he volunteered as a missionary in Asia, was appointed Titular Bishop of Beirut and left for Asia in 1660. Arrived in Siam, he made pastoral visits in Cochinchina (Southern Vietnam) and throughout Vietnam, educating and ordaining native priests, giving courage to dispersed communities, trying to settle the many rivalries between missionary orders and to improve tense relations with the authorities, while living the deep spiritual life of a mystic of the Cross. He died in 1679.His work is part of the considerable development of missions in the seventeenth century under the leadership of Pope Gregory XV. In France, Pierre Lambert de la Motte played a key role in the birth of the Paris Foreign Missions Society in 1658, for China and South-East Asia. They were to work tirelessly, following the Roman Instructions of 1659: refusal of secularization and politicization, respect for indigenous cultures, accession of the local Churches to autonomy and consolidation of their ... Unknown localization key: "more"

Objev podobné jako The Unknown Father of the Modern Mission - Francoise Fauconnet-Buzelin

Technology is a crucial feature of the modern world, and human beings are necessarily technological creatures. Our goal must be to use technology effectively, efficiently, and ethically. We have hands that are adept at using tools, and intelligence that guides our actions. We also have desires and emotions that motivate us to achieve more and more, never allowing us to stop.From the viewpoint of praxiology, technology does not exist merely to satisfy the human need in an effective and efficient way. The problems of the modern world and the questions we must ask with respect to technology and how it is used are complicated and demanding. They may initially seem mysterious, perhaps even partly subconscious. In this fifteenth volume of a distinguished international series, contributors address essential questions about the philosophy and ethics of technology. Their intention is to point out the road not only to its better applications but also to its greater understanding.The first part of the book addresses general questions about the theory of technology. The second part of the volume focuses on special topics like information and communication technologies and work systems, as well as the foundations of problem solving and the history of innovation in ... Unknown localization key: "more"

Objev podobné jako Praxiology and the Philosophy of Technology - Timo Airaksinen, Wojciech W. Gasparski

A stunning exploration of the Greater Middle East, where lasting stability has often seemed just out of reach but may hold the key to the shifting world order of the twenty-first century“Engaging . . . Even those who resist Kaplan’s tragic sensibility have much to learn from his look at the emerging Middle East and its recent history.”—National ReviewFINALIST FOR THE OVERSEAS PRESS CLUB’S CORNELIUS RYAN AWARDThe Greater Middle East, which Robert D. Kaplan defines as the vast region between the Mediterranean and China, encompassing much of the Arab world, parts of northern Africa, and Asia, existed for millennia as the crossroads of empire: Macedonian, Roman, Persian, Mongol, Ottoman, British, Soviet, American. But with the dissolution of empires in the twentieth century, postcolonial states have endeavored to maintain stability in the face of power struggles between factions, leadership vacuums, and the arbitrary borders drawn by exiting imperial rulers with little regard for geography or political groups on the ground. In the Loom of Time, Kaplan explores this broad, fraught space through reporting and travel writing to reveal deeper truths about the impacts of history on the present and how the requirements of stability over anarchy are often in conflict with ... Unknown localization key: "more"

Objev podobné jako The Loom of Time - Robert D. Kaplan

THE NEW YORK TIMES BESTSELLER AND SUNDAY TIMES, OBSERVER AND BBC HISTORY BOOK OF THE YEARFINALIST FOR THE ORWELL PRIZE FOR POLITICAL WRITING 2022''Pacey and potentially revolutionary'' Sunday Times ''Iconoclastic and irreverent ... an exhilarating read'' The Guardian For generations, our remote ancestors have been cast as primitive and childlike - either free and equal, or thuggish and warlike. Civilization, we are told, could be achieved only by sacrificing those original freedoms or, alternatively, by taming our baser instincts. David Graeber and David Wengrow show how such theories first emerged in the eighteenth century as a reaction to indigenous critiques of European society, and why they are wrong. In doing so, they overturn our view of human history, including the origins of farming, property, cities, democracy, slavery and civilization itself. Drawing on path-breaking research in archaeology and anthropology, the authors show how history becomes a far more interesting place once we begin to see what''s really there. If humans did not spend 95 per cent of their evolutionary past in tiny bands of hunter-gatherers, what were they doing all that time? If agriculture, and cities, did not mean a plunge into hierarchy and domination, then what kinds of social and ... Unknown localization key: "more"

Objev podobné jako The Dawn of Everything - David Graeber, David Wengrow

Gibbon''s Decline and Fall of the Roman Empire, published between 1776 and 1788, is the undisputed masterpiece of English historical writing which can only perish with the language itself. Its length alone is a measure of its monumental quality: seventy-one chapters, of which twenty-eight appear in full in this edition.With style, learning and wit, Gibbon takes the reader through the history of Europe from the second century AD to the fall of Constantinople in 1453 - an enthralling account by ''the greatest of the historians of the Enlightenment''.This edition includes Gibbon''s footnotes and quotations, here translated for the first time, together with brief explanatory comments, a precis of the chapters not included, 16 maps, a glossary, and a list of emperors.

Objev podobné jako The Decline and Fall of the Roman Empire - Edward Gibbon

Throughout the ages flags have been a means of cultural and national identity, communication, and a means of representation for groups and associations. Compiled by a leading authority this book, newly updated for this larger format edition, is a definitive and exhaustive visual reference to international flags, from the largest countries to the smallest states. Split into two sections, the first part of the book presents a fascinating overview of the history of flags, from the 3rd century BC to the 21st century. The second section covers over 600 flags in current use, including a continent- by-continent examination of countries, territories, organizations, individuals and causes. Lavishly illustrated, this book is both a stunning reference book and an invaluable resource. Fascinating and compelling, it offers historical, geographical and political insights into one of our most ancient forms of identification and communication.

Objev podobné jako Flags, The World Encyclopedia of - Alfred Znamierowski

The Argonautica is the dramatic story of Jason''s quest for the Golden Fleece and his relations with the dangerous Colchian princess, Medea. The only extant Greek epic poem to bridge the gap between Homer and late antiquity, it is a major product of the brilliant world of the Ptolemaic court at Alexandria, written by Apollonius of Rhodes in the 3rd century BC. Apollonius explores many of the fundamental aspects of life in a highly original way: love, deceit, heroism, human ignorance of the diven, the limits of science. This volume offers the first scholarly translation into English prose for many years, combining readability with accuracy and an attention to detail that will appeal to readers both with and without Greek. `Based on a deep understanding of the text, this translation, with informative notes and an excellent introduction, will bring Apollonius to the audience he deserves....'' (TLS) ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, ... Unknown localization key: "more"

Objev podobné jako Jason and the Golden Fleece (The Argonautica) - Apollonius of Rhodes

A history of how, in the mid-twentieth century, we came to believe in the concept of creativity. Named a best book of 2023 by the New Yorker and a notable book of 2023 by Behavioral Scientist.  Creativity is one of American society’s signature values, but the idea that there is such a thing as “creativity”—and that it can be cultivated—is surprisingly recent, entering our everyday speech in the 1950s. As Samuel W. Franklin reveals, postwar Americans created creativity, through campaigns to define and harness the power of the individual to meet the demands of American capitalism and life under the Cold War. Creativity was championed by a cluster of professionals—psychologists, engineers, and advertising people—as a cure for the conformity and alienation they feared was stifling American ingenuity. It was touted as a force of individualism and the human spirit, a new middle-class aspiration that suited the needs of corporate America and the spirit of anticommunism.  Amid increasingly rigid systems, creativity took on an air of romance; it was a more democratic quality than genius, but more rarified than mere intelligence. The term eluded clear definition, allowing all sorts of people and institutions to claim it as a solution ... Unknown localization key: "more"

Objev podobné jako The Cult of Creativity - Samuel W. Franklin

When The Sound of the One Hand came out in Japan in 1916 it caused a scandal. Zen was a secretive practice, its wisdom relayed from master to novice in strictest privacy. That a handbook existed recording not only the riddling koans that are central to Zen teaching but also detailing the answers to them seemed to mark Zen as rote, not revelatory.For all that, The Sound of the One Hand opens the door to Zen like no other book. Including koans that go back to the master who first brought the koan teaching method from China to Japan in the eighteenth century, this book offers, in the words of the translator, editor, and Zen initiate Yoel Hoffmann, “the clearest, most detailed, and most correct picture of Zen” that can be found. What we have here is an extraordinary introduction to Zen thought as lived thought, a treasury of problems, paradoxes, and performance that will appeal to artists, writers, and philosophers as well as Buddhists and students of religion.

Objev podobné jako The Sound of One Hand - Dror Burstein, Yoel Hoffman

the greatest Moroccan travel book of all time:vital reading for the new upmarket Marrakesh tourism - one of the bibles of British twentieth-century Orientalism - by the author of A Ring of Bright Water - describes the extraordinary medieval nature of Morocco in the twentieth century, focussing on a family who combined the lethal elegance of gangland mobsters with the opulent charm of hereditary Indian princes, fed by a monopoly in drugs and prostitution - a perennial classic for the backlist which will sell and sell - POS material available

Objev podobné jako Lords of the Atlas - Gavin Maxwell

A history of how, in the mid-twentieth century, we came to believe in the concept of creativity. Named a best book of 2023 by the New Yorker and a notable book of 2023 by Behavioral Scientist.  Creativity is one of American society’s signature values, but the idea that there is such a thing as “creativity”—and that it can be cultivated—is surprisingly recent, entering our everyday speech in the 1950s. As Samuel W. Franklin reveals, postwar Americans created creativity, through campaigns to define and harness the power of the individual to meet the demands of American capitalism and life under the Cold War. Creativity was championed by a cluster of professionals—psychologists, engineers, and advertising people—as a cure for the conformity and alienation they feared was stifling American ingenuity. It was touted as a force of individualism and the human spirit, a new middle-class aspiration that suited the needs of corporate America and the spirit of anticommunism.  Amid increasingly rigid systems, creativity took on an air of romance; it was a more democratic quality than genius, but more rarified than mere intelligence. The term eluded clear definition, allowing all sorts of people and institutions to claim it as a solution ... Unknown localization key: "more"

Objev podobné jako The Cult of Creativity - Samuel W. Franklin

'A gripping, galloping narrative that challenges perceptions to the very last page', Marie Claire 'David Diop has opened up a new way of thinking about the eighteenth century and its hideous cruelties', Abdulrazak Gurnah, winner of the Nobel Prize in Literature 'It's hard to imagine a more gripping or fertile subject', Guardian_____ Prais, 1806. The renowned botanist Michel Adanson is dying. His last word is a woman's name: Maram. But who was she?Searching for the answer, Adanson's daughter discovers a journal of his youthful travels in Senegal, which tells a story of wild adventure and impossible desires. It reveals how he heard of a young woman sold into slavery who did the impossible and returned. How he became obsessed with finding her, whatever the cost. And how a man who longed to solve the mysteries of natural instead found himself grappling with the impulses of the heart.

Objev podobné jako Beyond the Door of No Return - David Diop